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Large-scale 3D Data Integration Challenges and Opportunities (Gisdata) Crc Pr I Llc? Sisi Zlatanova? David Prosperi? Siyka Zlatanova? CrcPrILlc? SisiZlatanova? DavidProsperi? SiykaZlatanova? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-Software-Design&Development-StructuredDesign? Subjects-Computers&Internet-Databases-DatabaseDesign? Subjects-Computers&Internet-Databases-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-RemoteSensing? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-RemoteSensing? Subjects-Science-EarthSciences-Geography-InformationSystems? 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Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Science-Chemistry-Safety? Subjects-Science-General Subjects-Science-Technology-Safety&Health? Long-term Neurotoxic Effects of Paint Solvents The Royal Society of Chemistry? Royal Society of Chemistry? TheRoyalSocietyofChemistry? RoyalSocietyofChemistry? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Technology-Safety&Health? Difussive Sampling An Alternative Approach to Workplace Air Monitoring (Royal Society of Chemistry, Special Publication, No 10555) Royal Society of Chemistry? A. Berlin? R. H. Brown? K. J. Saunders? RoyalSocietyofChemistry? A.Berlin? R.H.Brown? K.J.Saunders? Subjects-Business&Investing-BusinessLife-Workplace? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? 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Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Plant-Associated Toxins Agricultural, Phytochemical and Ecological Aspects C a B Intl? Colegate? CaBIntl? Colegate? Subjects-Engineering-Civil-Environmental-General Subjects-Entertainment-Music-General? Subjects-Health,Mind&Body-Nutrition-Antioxidants&Phytochemicals? Subjects-Medicine-Research-General? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Medical-Pharmacology-Toxicology? Subjects-Science-BiologicalSciences-Botany-General? Subjects-Science-Medicine-Research-General? Subjects-Science-Medicine-Pharmacology-Toxicology? Modelling Forest Growth and Yield Applications to Mixed Tropical Forests C a B Intl? Jerome K. Vanclay? CaBIntl? JeromeK.Vanclay? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-NaturalResources-Forests&Forestry? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Forestry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-TropicalAgriculture? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Forestry, Economics and the Environment C a B Intl? Wiktor L. Adamowicz? P. Boxall? Martin Karl Luckert? W. E. Phillips? W. A. White? CaBIntl? WiktorL.Adamowicz? P.Boxall? MartinKarlLuckert? W.E.Phillips? W.A.White? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-NaturalResources-Forests&Forestry? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Forestry-Economics? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Forestry-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Subjects-Science-Nature&Ecology-Environment-Conservation? Methods for the Examination of Organismal Diversity in Soils and Sediments C a B Intl? Cab International? Unesco? International Union of Biological Sciences? Geoffrey S. Hall? Pierre Lasserre? D. L. Hawksworth? CaBIntl? CabInternational? Unesco? InternationalUnionofBiologicalSciences? GeoffreyS.Hall? PierreLasserre? D.L.Hawksworth? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-Agronomy? Controlling Mineral Emissions in European Agriculture Economics, Policies and the Environment C a B Intl? Eirik Romstad? Jesper Simonsen? Arild Vatn? CaBIntl? EirikRomstad? JesperSimonsen? ArildVatn? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Geochemistry? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Geochemistry? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Mineralogy-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? Gaseous Nitrogen Emissions from Grasslands C a B Intl? Shawn C. Jarvis? B. F. Pain? CaBIntl? ShawnC.Jarvis? B.F.Pain? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-Ecology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Environment-Ecology? Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? The Economics of Landscape and Wildlife Conservation C a B Intl? Stephan Dabbert? Alex Dubgaard? Louis Slangen? Martin Whitby? CaBIntl? StephanDabbert? AlexDubgaard? LouisSlangen? MartinWhitby? Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-AgriculturalSciences-General? Toxic Plants and Other Natural Toxicants C a B Intl? International Symposium on Poisonous Plants 1997 (Texas)? Tam Garland? A. Catherine Barr? CaBIntl? InternationalSymposiumonPoisonousPlants1997(Texas)? TamGarland? A.CatherineBarr? Subjects-Engineering-Civil-Environmental-General Subjects-Medicine-VeterinaryMedicine-General? Subjects-Medicine-VeterinaryMedicine-Pathology? Subjects-Outdoors&Nature-Flora-Flowers? Subjects-Outdoors&Nature-Flora-General? Subjects-Outdoors&Nature-Flora-Physiology? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Medical-VeterinaryMedicine-General? Subjects-Professional&Technical-Medical-VeterinaryMedicine-Pathology? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-CropScience? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Science-General Subjects-Science-Nature&Ecology-Plants-Flowers? Subjects-Science-Nature&Ecology-Plants-General? Subjects-Science-Nature&Ecology-Plants-Physiology? Subjects-Science-BiologicalSciences-Botany-General? Subjects-Science-BiologicalSciences-Botany-Pathology? Subjects-Science-AgriculturalSciences-AnimalHusbandry? Subjects-Science-AgriculturalSciences-CropScience? Subjects-Science-Medicine-VeterinaryMedicine-General? Subjects-Science-Medicine-VeterinaryMedicine-Pathology? Earthworm Management in Tropical Agroecosystems C a B Intl? P. Lavelle? L. Brussard? P. Hendrix? CaBIntl? P.Lavelle? L.Brussard? P.Hendrix? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Ecosystems-Tropical? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-Invertebrates? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Subjects-Science-BiologicalSciences-Zoology-Invertebrates? Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? Genetic and Environmental Manipulation of Horticultural Crops C a B Intl? Ken Cockshull? D. Gray? G. B. Seymour? B. Thomas? CaBIntl? KenCockshull? D.Gray? G.B.Seymour? B.Thomas? Subjects-Engineering-Civil-Environmental-General Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Home&Garden-Gardening&Horticulture-Regional? Subjects-Outdoors&Nature-Flora-Physiology? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Horticulture? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-CropScience? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Genetics? Subjects-Science-Evolution-Genetics? Subjects-Science-General Subjects-Science-Nature&Ecology-Plants-Physiology? Subjects-Science-BiologicalSciences-Botany-General? Subjects-Science-AgriculturalSciences-Horticulture? Subjects-Science-AgriculturalSciences-Agronomy? Subjects-Science-AgriculturalSciences-CropScience? Subjects-Engineering-Civil-Environmental-General 洋書
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Lectures on Quantum Computation, Quantum Error Correcting Codes And Information Theory Amer Mathematical Society? K. R. Parthasarthy? AmerMathematicalSociety? K.R.Parthasarthy? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-NumberTheory? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-NumberTheory? Subjects-Science-Physics-QuantumTheory? Dictionary of Radio and Television Terms English-German-Chinese Vch Verlagsgesellschaft Mbh? Herbert Tillmann? VchVerlagsgesellschaftMbh? HerbertTillmann? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Telecommunications-General? Subjects-Engineering-Telecommunications-Radio&Wireless? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-Chinese? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-Radio&Wireless? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage-Chinese? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-General? Subjects-Science-General Extragalactic Astronomy (Geophysics and Astrophysics Monographs) D Reidel Pub Co? J. L. Sersic? DReidelPubCo? J.L.Sersic? ユーズドブック(洋書)-Science? Substores-UnknownASINs-55? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Science-General Subjects-Science-Physics-Solid-StatePhysics-PlasmaPhysics? Subjects-Science-Astronomy-Astronomy? Differentialgeometrie (Die Werke Von Jakob Bernoulli) Birkhauser? Andre Weil? 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Masons, Tricksters and Cartographers Comparative Studies in the Sociology of Scientific and Indigenous Knowledge (Studies in the History of Science, Technology Medicine) Harwood Academic Pub? David Turnbull? HarwoodAcademicPub? DavidTurnbull? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Anthropology-General? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-BehavioralSciences-Anthropology? Automatisieren Mit Simatic Integriertes Automatisieren Mit Simatic S7-300/400 Controller, Software, Programmierung, Datenkommunikation, Bedienen Und Beobachten (Mathematical Research) Vch Verlagsgesellschaft Mbh? Hans Berger? VchVerlagsgesellschaftMbh? HansBerger? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-52? Subjects-Computers&Internet-ComputerScience? Subjects-Engineering-Telecommunications? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Chaos&Systems? Subjects-Professional&Technical-ProfessionalScience-Physics-SystemTheory? Subjects-Science-General Subjects-Science-Mathematics-Chaos&Systems? Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Physics-SystemTheory? Dynamics of Cell and Tissue Motion (Mathematics and Biosciences in Interaction) Birkhauser? Wolfgang Alt? Andreas Deutsch? Graham Dunn? 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Stress Molecular Genetic and Neurobiological Advances Harwood Academic Pub? Richard McCarty? HarwoodAcademicPub? RichardMcCarty? ユーズドブック(洋書)-Medicine? Subjects-Medicine-Specialties-Pathology-LaboratoryMedicine? Subjects-Medicine-InternalMedicine-Endocrinology&Metabolism? Subjects-Medicine-InternalMedicine-Neurology-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Endocrinology&Metabolism? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Neurology-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-LaboratoryMedicine? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-CellBiology? Subjects-Science-Medicine-Specialties-Pathology-LaboratoryMedicine? Subjects-Science-Medicine-InternalMedicine-Endocrinology&Metabolism? Subjects-Science-Medicine-InternalMedicine-Neurology-General? Decentralization With Profibus Dp/Dpv1 Architecture and Fundamentals, Configuration and Use With Simatice S7 Vch Verlagsgesellschaft Mbh? Josef Weigmann? Gerhard Kilian? VchVerlagsgesellschaftMbh? JosefWeigmann? GerhardKilian? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-52? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Ecological Vignettes Ecological Approaches to Dealing With Human Predicaments Harwood Academic Pub? Eugene P. Odum? HarwoodAcademicPub? EugeneP.Odum? ユーズドブック(洋書)-Outdoors&Nature Subjects-Nonfiction-Philosophy-Science? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Nature&Ecology-General? Automatisieren Mit Step 7 in Kop Und Fup (Biotechnology a Multi-Volume Comprehensive Treatise) Vch Verlagsgesellschaft Mbh? Hans Berger? VchVerlagsgesellschaftMbh? HansBerger? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-52? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Telecommunications? Subjects-Nonfiction-ForeignLanguageNonfiction-German? 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Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-Controllers? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Chaos&Systems? Subjects-Professional&Technical-ProfessionalScience-Physics-SystemTheory? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Mathematics-Chaos&Systems? Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Physics-SystemTheory? Evolution of Sameness and Difference Perspectives on the Human Genome Project Harwood Academic Pub? Stanley Shostak? HarwoodAcademicPub? StanleyShostak? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Outdoors&Nature Subjects-Medicine-BasicScience-Genetics? Subjects-Medicine-BasicScience-Physiology? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Medical-BasicSciences-Genetics? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Genetics? 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このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 ERSTER AKT Nr. 1 - Introduktion ▼JOSEF▲ Anna, Anna, Anna! Ich such' jetzt da. Ich such' jetzt dort, Die Kammerjungfer, scheint's, is fort! Soll ich am End' zur Gnäd'gen geh'n? Ja, darf ich mich das untersteh'n? Ich muss halt wissen, und zwar sehr g'schwind, Ob meinen Herrn ich da net find'; Denn diese G'schicht, Die eilt gar sehr, 's is eine wichtige Staatsaffäre, Die er sehr schnell erled'gen muss, Denn sonst gibt's ein Verdruss Mit uns'rem Staate Reuss-Schleiz-Greiz, Mit Dessau and'rerseits, Die Frage brennt bereits! Das hat mir g'sagt der Attaché Und der hat's vom Premier, Und die zwei wissen's eh! Jetzt sag' mir wer Wo steckt mein Herr? Er hat mir ja noch extra g'sagt "Wenn wer heut' nach mir fragt, Dir sag' ich's", sagt er, "ganz allein, Wird' draussen in der Villa sein!" Jetzt renn' ich in die Villa 'naus, Und hier scheint keiner z'Haus … Und gar vom Graden keine Spur… Wo find' ich ihn denn nur? Jetzt sag' mir wer Wo steckt mein Herr? Es wart' die Staatsaffäre! Find Ich ihn nicht, O böse G'schicht, Dann gibt am End' er mir die Schuld! Ich such' ihn da, Ich such' ihn dort, Dazu g'hört faktisch viel Geduld! Ich weiss mir jetzt schon gar kein' Rat, Er schert sich nicht um seinen Staat, O Reuss-Schleiz-Greiz, O Reuss-Schleiz-Greiz, Ich hab' mit dir ein Kreuz! O Reuss-Schleiz-Gretz! Anna! Anna! Anna! ▼FRANZI▲ Josef, Er? ▼JOSEF▲ Ach, Demoisell'! ▼FRANZI▲ Bringt Er Nachricht? Sag' Er schnell ▼JOSEF▲ Demoisell' werd'n schon verzeih'n, Wie sich's passt für ein' Lakai'n, Möcht' ich's Stubenmädel fragen, Ob sie mir vielleicht könnt' sagen, Ob sie es vielleicht möcht' wissen, Ob's die Gnäd'ge tät' verdriessen, Ob ich net komm' ungelegen, Ob - ▼FRANZI▲ Und ob, und ob, und ob! Die Anne Ist jetzt fort und nicht zugegen, Der Herr Graf - ▼JOSEF▲ Is er schon da! ▼FRANZI▲ Er? Noch nicht! ▼JOSEF▲ Da hab'n wir's ja! Alsdann Demoisell', so grüss' ich, Dero Hand gehorsamst küss ich! ▼FRANZI▲ Josef! ▼JOSEF▲ Bitt' schön, Euer Gnaden? ▼FRANZI▲ Sag' Er mir's, 's ist nicht sein Schaden Wo sein Graf zu finden ist? ▼JOSEF▲ Ja, wenn ich das nur selber wüsst! ▼FRANZI▲ Fünf volle Tag', Ich sag'. Fünf Tag' Hab' seinen Herrn ich nicht geseh'n! Fünf ganze Tag', Fünf Tag' Ich frag' Was er treibt, Wo er bleibt? Täglich wird's schlimmer, Denn Frauenzimmer Sind's doch nur immer, Die den Herrn Halten fern! Sag' Er's nur offen, Ich hab's getroffen Lasse Er's hör'n! Doch dass Er mir die Wahrheit spricht, Denn Lügen glückt ihm nicht! Wer auch nur einmal belogen, Der glaubt sich immer betrogen; D'rum frei und offen heraus, Man kommt damit stets gut aus! ▼JOSEF▲ Ah, die fratschelt mich aus! Sie kriegt doch nichts 'raus! ▼FRANZI▲ Na ja, ich riech' schon den Braten, Er darf den Herrn nicht verraten! ▼JOSEF▲ Weil ich selbst gar nix weiss, Nix Neu's! ▼FRANZI▲ Na, frisch heraus mit der Sprach'! Wem steigt denn wohl der Graf jetzt nach? ▼JOSEF▲ Wem steigt der Graf wohl nach? Nr. 2 - Duett （Franzi, Graf） ▼GRAF▲ Grüss Gott, mein liebes Kind' ▼FRANZI▲ Gut'n Tag, mein Herr! ▼GRAF▲ Was hast du? Sag's geschwind! ▼FRANZI▲ Ich bitte sehr . . . ▼GRAF▲ Was hab' ich dir getan? ▼FRANZI▲ Ach, das ist stark, Das ist zu arg! ▼GRAF▲ Was tat ich dir? Na, sag' es mir, sag' es mir doch an! ▼FRANZI▲ Fünf Tage lässt er mich allein, Dann soll ich lieb noch sein! ▼GRAF▲ Ah so, das ist's allein! - Nun, schöne Richt'rin, sprich! ▼FRANZI▲ Geh'weg, geh' fort! ▼GRAF▲ Wess macht' ich schuldig mich? ▼FRANZI▲ Ich sprech' kein Wort! ▼GRAF▲ Was ist denn mein Vergeh'n? ▼FRANZI▲ Ach nichts, ach nichts! ▼GRAF▲ Ich will ja mein Verbrechen gern gesteh'n! ▼FRANZI▲ 's lohnt ja nicht die Müh', Nein, nein, nein! 's ist stets eine "Sie", Und stets das nämliche Verbrechen - O du, du, du, du! Warum darüber sprechen? Ist's nicht Marie, Ist's Sidonie Und Melanie - Stets eine "Sie"! ▼GRAF▲ Nun ja, so lass uns doch darüber sprechen, Mir ist ja wahrlich fremd ein solch' Verbrechen. Ach, Franzi, sieh, So warst du nie! So nenn' mir die, Die du nennst "Sie"! Schau mich an, sag's frei heraus So sieht kein Verbrecher aus! ▼FRANZI▲ Gut! Dann sag' gefälligst mir, Wo du warst, bei welcher "Ihr"? ▼GRAF▲ Ich? Ich war bei meiner Frau! ▼FRANZI▲ Bei der Gräfin? O wie schlau! Das glaub' eine and're dir! ▼GRAF▲ Wirklich, Franzi! Nur bei ihr! Dann und wann muss man doch Auch bei der Frau sein - Siehst du das ein? ▼FRANZI▲ Ja, ich seh's ein! ▼GRAF▲ Drückt auch das Ehejoch, Man wahrt den Schein - Siehst du das ein? ▼FRANZI▲ Ja, ich seh's ein! ▼GRAF▲ Siehst du das ein? ▼FRANZI▲ Leider, leider muss das sein! ▼GRAF▲ Bist ja klug, siehst es ein, Also schick' dich darein! ▼FRANZI▲ Alles versteh'n, Das heisst alles verzeih'n! ▼GRAF▲ So, mein Kind, ist es schön - Alles muss man versteh'n! ▼FRANZI▲ So was versteh'n, Ach, das wird bei Frauen selten geh'n! ▼GRAF▲ Und dann ▼FRANZI▲ Und dann? ▼GRAF▲ Hör' weiter an! Bin bei der Frau ich auch, Denk' ich doch dein, Nur allein dein! ▼FRANZI▲ Säuselst mir jetzt Schmeichelei'n, Glaub' es nicht, nein! ▼GRAF▲ Ja, jeden Atemhauch Will ich dir weih'n, Bin ja ganz dein! ▼FRANZI▲ Du bist lieb; Ich will verzeih'n, Gnädig verzeih'n! So sind wir, Wir von hier! Nur ein gut's Wort Am Ort, Und fort Ist der Zorn und Groll, Wieder liebevoll Sind wir Wiener Frau'n Und ganz voll Vertrau'n! ▼GRAF▲ So seid Ihr, Ihr von hier! Am rechten Ort Ein Wort. Und fort Ist, gottlob, der Groll, Seid so liebevoll, Und darum lieb' Ich die Wiener Frau'n! Nr. 3 - Duett （Graf, Josef） ▼GRAF▲ Na, also schreib' und tu' nicht schmieren! ▼JOSEF▲ Ich bitt' schön, langsam zu diktieren! ▼GRAF▲ Mach' nicht Fehler, 's wäre sträflich! ▼JOSEF▲ O ich schreib' ganz orthogräflich! ▼GRAF▲ Ein hübscher Brief trifft oft ins Ziel… ▼JOSEF▲ D'rum bitt' ich nur, mit recht viel G'fühl! ▼GRAF▲ Du lieber Schatz, ich muss es Dir gesteh'n Seit ich Dich hab' zum erstenmal geseh'n, Ist es um mich, ich schwöre Dir's, gescheh'n, Die Sehnsucht lässt mich ja beinah' vergeh'n. D'rum bitt' ich Dich heut' um ein Stelldichein, Punkt elf, in Hietzing will ich warten Dein, Dort, im Casinogarten werd' ich sein Ich bitt' Dich, Schatz, ich bitt' Dich, Schatz, Find' Dich nur pünktlich ein! ▼JOSEF▲ Das wirkt! Es muss! ▼GRAF▲ Jetzt kommt der Schluss! Schreib' schnell, denn jetzt bin ich im Fluss Du süsses Zuckertäuberl mein, O komm', o komm' zum Stelldichein! Ich wart' bei dem bestimmten Platz, Ich bitt' Dich, komm', Du lieber Schatz! O komm' doch, komm' zum Stelldichein, Ich bitt' Dich, sag' mir ja nicht nein! Hab' Dich ja so lieb, so lieb, Du süsser Herzensdieb! ▼JOSEF▲ Jetzt hat sie's schwarz auf weiss, Dass Sie sie lieben, ganz brennheiss! ▼GRAF▲ Glaubst du, sie kommt hinaus? ▼JOSEF▲ Ach ja, ich kenn' mich aus! ▼GRAF▲ Doch vielleicht hat sie schon Einen Geliebten; was dann, lieber Sohn? ▼JOSEF▲ Ja, das wär' wohl ein G'frett! ▼GRAF▲ Na, das wär' gar nicht nett! ▼JOSEF▲ Doch solche Schneidermamsellen Nehmen's net streng in den Fällen! Herr Graf sind Spezialist im Lieben ▼GRAF▲ Jetzt lesen wir, was wir geschrieben ▼BEIDE▲ Du süsses Zuckertäuberl mein, usw. usw. Nr. 4 - Duett （Pepi, Josef） ▼PEPI▲ Wünsch' gut'n Morgen, Herr von Pepi! ▼JOSEF▲ Ach, die Peperl! So a Freud'! ▼PEPI▲ Bitt' schön, meld' Er mich der Gnäd'gen! ▼JOSEF▲ Muss das gleich sein? Das hat Zeit! ▼PEPI▲ Pratzerl weg! Nur hübsch solid sein! ▼JOSEF▲ Geh', ich bitt' dich! ▼PEPI▲ Geh', sei g'scheit! ▼JOSEF▲ Wie kann man nur gar so fad sein. ▼PEPI▲ Jed's Ding nur zur rechten Zeit! ▼JOSEF▲ Wann hast Zeit? ▼PEPI▲ Am Abend heut'! ▼JOSEF▲ Und dann wo? ▼PEPI▲ Geh' frag' net so! Mir scheint, du willst spassen, Jed's Kind auf der Gassen, Wenn's auch nur so gross is, Weiss doch, was heut' los is'! ▼JOSEF▲ Ach, ich tu' verstehen, Doch 's wird nicht recht gehen! Hab' heut' Dienst beim Herrn, Denn sonst ging mit dir ich gern! ▼BEIDE▲ Drauss'n in Hietzing Gibt's a Remasuri Dui, Dui, Duri! Volksfest, Hetz' und auch ein' Kreuzer-Tanz, All's is g'richt' am höchsten Glanz. Pickfüss' Hölzl a dabei - Harfenisten, Dudlerei - Ah, da wird's heut' fein! Jedes Wiener Kind Rennt nach Hietzing g'schwind - Da dabei muss 's sein! ▼JOSEF▲ Doch mein Graf? ▼PEPI▲ Geht heut' am Ball! ▼JOSEF▲ Richtig ja! ▼PEPI▲ Kommst auf jeden Fall? ▼JOSEF▲ Ja! ▼BEIDE▲ Heut' gibt's feine Sachen Tanzen, dudeln, lachen Heut' das höchste G'setz is', Weil's a Riesenhetz is'! Schieberisch mit Paschen Ja, der hat sich g'waschen Langaus mög'n mir net mehr hör'n, Sechser hab'n mir gern! ▼PEPI▲ Ach, wie ich mich schon d'rauf g'freu'! ▼JOSEF▲ Bin bei jeder Hetz dabei! ▼PEPI▲ Flott soll g'lebt werd'n von uns zwei! ▼BEIDE▲ Es bleibt dabei - Ach, wie ich mich auf Hietzing g'freu'! Nr. 5 - Finale ▼KAGLER▲ Da ist sie ja! ▼MINISTER▲ Das ist sie? Ah! ▼JOSEF▲ Da is sie ja! O Kruzineser! ▼FRANZI▲ Man hat mir g'sagt, Besuch ist da! ▼MINISTER▲ Des Landes Reuss-Schleiz-Greiz Verweser, Premierminister, Fürst von Ypsheim-Gindelbach! ▼KAGLER▲ Was? Reiz-Greiz-Schleiz? ▼JOSEF▲ Mir wird ganz schwach! ▼FRANZI▲ Oh, Durchlaucht! ▼MINISTER▲ Gnäd'ge, hocherfreut! ▼JOSEF▲ Jetzt fahr'n wir ab, 's is d'höchste Zeit! ▼KAGLER▲ Der Herr is' Durchlaucht? Da schau' her! Oh, Euer Durchlaucht, hab' die Ehr'! ▼FRANZI▲ Vom Minister ist das wirklich schön, Dass er Besuch mir macht, Dass er solche Ehre mir erweist, Nein, das hätt' ich nicht gedacht! 's hat der Graf ihm wohl von mir erzählt, Das hat ihn int'ressiert, Neugier ist es, die so sehr ihn quält, Und ihn in die Villa führt! ▼KAGLER▲ Von der Durchlaucht is' das wirklich schön, Dass er ein B'such ihr macht, Doch dass er mir die Ehr' erweist, Das hätt' ich nie gedacht! Dass so eine Durchlaucht mit mir red't, Das wär' mir nie passiert, Das kommt halt einfach nur davon, Weil d' Franzi Gräfin wird! ▼MINISTER▲ Wirklich, die Frau Gräfin ist sehr schön, Hat Eindruck schon gemacht; Ich kann den Grafen nicht versteh'n - Die Frau strahlt ja in Pracht! Dieser Graf ist blind, dass er sich noch Für and're int'ressiert; Ich öffne ihm die Augen doch, Dass er schauen wird! ▼JOSEF▲ Na, die G'schicht wird schöner noch als schön, Wird net ein End' bald g'macht, Wird der Fürst dann später klarer seh'n - Küss' die Hand, wünsch' gute Nacht! Dem Herrn Grafen meld' ich auf der Stell' Das, was da ist passiert, Während mit der fesch'n Probiermamsell' Mein Herr Graf charmuziert! Geh'n wir! Sonst gibt's schöne Sachen! ▼KAGLER▲ 's hat mich g'freut, d' Bekanntschaft z'mach'n! ▼MINISTER▲ Ganz meinerseits! Ganz meinerseits! ▼JOSEF▲ O du verflixtes Reuss-Schleiz-Greiz! Fahr'n mir ab! ▼MINISTER▲ Auf Wiederseh'n! ▼KAGLER▲ B'hüt Ihnen Gott! ▼JOSEF▲ Werd'n S' endlich geh'n! ▼KAGLER▲ Wenn S' meine Rösser woll'n benütz'n, Können S' gratis fahr'n und blitz'n! ▼JOSEF▲ O Kruzi, Kruzi! FRANZI und MINISTER Auf Wiederseh'n! ▼KAGLER▲ Hab' die Ehr'! ▼MINISTER▲ Ein sehr jovialer, alter Herr! Was sprach er, bitte? Fahren? Blitzen? Wie? Den Wiener Dialekt versteh' ich nie! ▼FRANZI▲ Na, mit der Zeit, da wird's schon geh'n! ▼MINISTER▲ Freu' mich unendlich, Sie zu seh'n! Ich staune, dass vor aller Welt Der Graf Sie so verborgen hält?! ▼FRANZI▲ Der Graf? Mein Gott, er ist ja gut, Nur hat er halt ein leichtes Blut! ▼MINISTER▲ Das heisst? Ich bitte! sagen Sie So haben Grund zu klagen Sie? ▼FRANZI▲ Ich kann mich nicht beklagen, Er ist ein Kavalier, Er gab, ich muss es sagen, Davon Beweise mir! Ich kann mich nicht beklagen, Nur dass ihm dann und wann Auch and're Frau'n gefallen Wie jedem ander'n Mann! ▼MINISTER▲ Der Graf, so hört' ich sagen, Ist Gatte nur nebenher, Das ist wohl Grund zum Klagen Ich hörte auch noch mehr! Es treibt es dieser Böse Wahrhaftig zu frivol Mit einer Balletteuse, Cagliari heisst sie wohl? ▼FRANZI▲ Mein Fürst, ich bin… ▼MINISTER▲ Sie sind beleidigt, Kein Mensch den Grafen auch verteidigt! ▼FRANZI▲ Erlauben Sie. . . ▼MINISTER▲ Nur ruhig Blut! Durch Eifersucht wird gar nichts gut! ▼FRANZI▲ Ja, aber ich muss doch erklären ▼MINISTER▲ Ich will darüber gar nichts hören! Ich weiss, was Sie erklären wollen Und kann nur Beifall zollen, Ich respektiere die Moral In jedem Fall! Es fallen da auf Ihren Gatten Verzweifelt düst're Schatten … Wo bleibt da, frag' ich, die Moral? 's grenzt an Skandal! Nein, nein, 's ist wirklich nicht zu sagen, Er treibt's wahrhaftig gar zu weit … ▼FRANZI▲ Jedoch ▼MINISTER▲ In einem off'nen Wagen Sah ich ihn mit der Dingsda heut'! ▼FRANZI▲ Sie sagen heut'? ▼MINISTER▲ So vor zwei Stunden! Welch' Gefühl ich da empfunden, Es grenzte schon an Unbehagen . . . Bedenken Sie! Im off'nen Wagen Mit dieser Dingsda… ▼FRANZI▲ Jetzt genug! ▼MINISTER▲ Nur ruhig! Wir strafen den Betrug! Ich bitte deshalb, keine Trauer, Die Liaisons sind nie von Dauer! Bald hat ein End' die Perfidie! ▼FRANZI▲ Was sagen Sie? ▼MINISTER▲ Ich sag', Verhältnisse wie diese, Die sind, nach Adam Riese, Auf 1 - 2 - 3 vorbei und aus; Er kehrt zurück Zur Gattin wieder voller Reue, Und hält dann mehr die Treue, Und liebt sie mehr, es spriesst aufs neue Sein Eheglück! ▼FRANZI▲ Ich kann nicht mehr …verzeihen Sie … Mir wird. . . mir wird … ich weiss nicht wie! Denn noch kein Mensch hat das gewagt, Und hat mir so etwas gesagt! Ich kann mich nicht beklagen, Das sagt' ich Ihnen schon! Aus dem, was Sie da sagen, Klang's fast heraus wie Hohn! ▼MINISTER▲ Ah, Pardon Sie missverstehen ganz ▼FRANZI▲ Ich hab' ganz gut verstanden, 's war bitt're Ironie, Wenn Sie das nicht empfanden, Nun, dann bedaur' ich Sie! ▼MINISTER▲ O weh! O weh! Mir scheint, mir scheint, Ich hab' nicht diplomatisch da gehandelt. O weh! O weh! Die Gräfin weint - Sie war ja jetzt ganz plötzlich wie verwandelt! Die arme Frau, die arme Frau… Ah, auf einmal geht mir auf ein Licht, Sie ahnte nur, nichts wusste sie, Ich geh' zu ihr, ich war ein… Na … ja! ▼GRÄFIN▲ （tritt ein ） Es hat den Grafen nichts genützt, Das Warnen und das Bitten, Die Neugier ist in mir erwacht, Ich bin hieher geritten! 's steckt was dahinter, das ist klar, Den Grund muss ich erspäh'n! Ich finde alles, wie es war, So lieb, so traut, so schön! Grüss dich Gott, du liebes Nesterl, Wie du warst, find' ich dich noch, So wie einst ich dich verlassen, Als mich drückt' das Ehejoch! Oft, ach, schmollt 'ich da im Erker, Weil der Graf mich just gefreit! Ach, wie oft an diesem Schreibtisch Klagte ich Mama mein Leid! Wie hab' auf dir ich musiziert, Armes Spinett, dich malträtiert! Die Bibliothek! Mancher Roman, Den man wohl liest, Doch nicht erleben kann! Homer, Wieland, Klopstock, euch hielt ich mir Als Aufputz hier! Was seh' ich da? Da schau', ei, ei, Casanova? Das ist mir neu! - Mein Schlafgemach, es scheint wohl verlassen, Alles ist so, wie's war Hier löst' ich zaghaft mein Myrthenkränzchen Bebend aus dem Haar! Hier nahm als Braut ich zitternd den Schleier Zögernd vom Gesicht - - - Und aus den Augen flossen die Tränen Na, heute heult' ich nicht! Grüss dich Gott, du liebes Nesterl, Wie du warst, find' ich dich noch, So wie einst ich dich verlassen, Als mich drückt' das Ehejoch! Doch, wer weiss, es kann gelingen, Dass du meine Neugier stillst, Und ich doch was Neues finde, Das du mir verbergen willst! （ab.） ▼MINISTER▲ （tritt wieder ein ） Ich klopfte ganz vergebens, Sie rief gar nicht herein! O Herr du meines Lebens, Wie konnt' so dumm ich sein! Das war nicht politisch, Auch nicht diplomatisch, Das war so Duodez-, Das war so klein-staatisch! Das war mit einem Wort, So drum herum… Das war nicht diplomatisch Sondern einfach dumm! （spricht） Ich gehe noch einmal zu ihr! ▼GRÄFIN▲ （tritt wieder ein ） Ach, bis jetzt, du liebes Nesterl, Fand ich nichts, was mich be… Ein Herr? ▼MINISTER▲ Malheur! Das ist die Dingsda, Mit der er fuhr! ▼GRÄFIN▲ Warum fixiert der Herr mich nur? ▼MINISTER▲ Sie kommt hieher? Das ist zuviel! ▼GRÄFIN▲ Was soll denn dieses Augenspiel? ▼MINISTER▲ Was solch' ein Dämchen alles wagt! ▼GRÄFIN▲ Er macht mich ordentlich verzagt! ▼MINISTER▲ Nun soll sie sehen, was ich kann! ▼GRÄFIN▲ Mir scheint, der Herr spricht mich jetzt an! ▼MINISTER▲ Wissen Sie, was Takt ist? ▼GRÄFIN▲ Was? ▼MINISTER▲ Nein! Sie wissen's nicht! ▼GRÄFIN▲ Wie? ▼MINISTER▲ Dass dies abgeschmackt ist ▼GRÄFIN▲ Oh! ▼MINISTER▲ Sag' ich ins Gesicht! ▼GRÄFIN▲ Mein Herr! ▼MINISTER▲ Jawohl! ▼GRÄFIN▲ Was soll der Ton? ▼MINISTER▲ O Sie verdienen die Lektion! ▼GRAF▲ （tritt ein） Du hier? ▼GRÄFIN▲ Ja, Graf! ▼MINISTER▲ Er ist ganz baff! ▼GRAF▲ Und Durchlaucht, Sie? ▼MINISTER▲ Ja, ich, Herr Graf! ▼GRÄFIN▲ Mein Herr, ich bitte um ein Wort! ▼MINISTER▲ Ein andermal! So bringen Sie die Dame fort! Ist das der Brauch, den Kavaliere übten? Ersparen Sie doch Ihrer Frau Hier die Begegnung mit der … Geliebten! ▼GRAF▲ Sie haben Recht! ▼MINISTER▲ 's wär' gegen alle Sitte! ▼GRÄFIN▲ Was flüstern die? ▼GRAF▲ Reich' deinen Arm, ich bitte! ▼GRÄFIN▲ Was ist gescheh'n? Warum so jäh? ▼MINISTER▲ Wann sagt denn endlich die Adieu? ▼GRAF▲ Komm' doch, ich bitt' dich dringend, geh'! ▼GRÄFIN▲ Nicht eine Silbe ich versteh' . . . Seh' wohl klar, 's ist etwas da gescheh'n, Aber was? Kann's nicht versteh'n, Und er will, ich soll fort, Ich versteh' nicht ein Wort! ▼GRAF▲ Komm' fort! Ich bitt' dich dringend, geh', o geh'! Sie bemerkt, dass etwas da geschehen, Höchste Zeit, d'rum fortzugehen, Bitte, hör' auf mein Wort, Bitte, komm' von hier fort! ▼MINISTER▲ Adieu! Adieu! Adieu! Adieu! Wann sagt denn endlich die Adieu! Wie eine Klette klebt sie da, Frech sind die Dämchen leider ja! Die bringt keiner mehr fort! Es ist schad' um jed's Wort! ▼GRÄFIN▲ Nein, nein, daraus werd' ich nicht klug, Noch kenn' ich mich nicht aus, Doch krieg' ich's schon heraus! Mein Männchen hat da intrigiert, Na, wart', o mein Gemahl, Dir geht's fatal! ▼GRAF▲ Ja, ja, Gefahr ist im Verzug, Noch kennt sie sich nicht aus, Doch kriegt sie's schon heraus! Wüsst' ich, wie man es arrangiert, Sonst geht's nur noch fatal, Ja, sehr fatal! ▼MINISTER▲ Der Graf, der treibt es stark genug, Lässt kommen sich, o Graus, Maitressen in sein Haus Ich bin darüber indigniert, Das nennt sich ein Gemahl, 's ist ein Skandal! ▼FRANZI▲ （tritt ein） Verzeih'n Sie mir! ▼GRAF▲ O weh! O weh! ▼MINISTER▲ Das haben Sie davon! ▼FRANZI▲ Wer ist die Dame? ▼GRÄFIN▲ Wer ist die Dame? ▼GRAF▲ Was tut man da? O bitte, stellen Sie die Dame doch Als Ihre Gemahlin vor! ▼MINISTER▲ Wie? Was? Aha! Sehr gern! Hier meine Gattin! ▼FRANZI▲ Verehrte Fürstin! ▼GRÄFIN▲ Was soll das heissen? ▼GRAF▲ Allmächt'ger Himmel! ▼MINISTER▲ Und nun adieu! Der Wagen wartet schon beim Tor! ▼FRANZI▲ Sie geh'n! Dahinter steckt wohl ein Betrug, Doch kenn' ich nicht das Ziel, Verstehe nicht das Spiel! Soll die des Fürsten Fräu doch sein? Ich sag' nein! Die Durchlaucht ihr Gemahl? Ihr Ideal? Ich sag' nein, nein, nein, nein! Und tausendmal nein! Doch kenn' ich nicht das Ziel, Verstehe nicht das Spiel. Der Graf muss alles eingesteh'n, Mach' ihm Skandal! ▼GRÄFIN▲ Ich geh'! Ja, was bedeutet der Betrug, Der Graf, ich weiss soviel, Hat seine Hand im Spiel! Jetzt geh' darauf ich scheinbar ein, Lass es sein! Doch freu' dich, mein Gemahl, Dir geht's fatal! Ja, was bedeutet der Betrug, Der Graf, ich weiss soviel, Hat sei…e Hand im Spiel! Jetzt geh' darauf ich scheinbar ein, Lass es sein. Ja, ich gehe schon, ich geh', mein Herr Gemahl! ▼GRAF▲ Sie geh'n! O Gott, jetzt merkt sie den Betrug, Der Fürst verdarb das Spiel, Das war ja nicht mein Ziel! Was fiel ihm denn nur plötzlich ein, Die Gräfin, sein Gemahl? Das ist fatal! O jetzt merkt sie den Betrug, Der Fürst verdarb das Spiel, Das war ja nicht mein Ziel! Gott sei gelobt, sie geh'n, sie geh'n, 's war recht fatal! ▼MINISTER▲ So komm'! Die Aermste merkt noch den Betrug, Und ich die Hand im Spiel? Das schiesst doch über's Ziel! Doch tat ich's für die Frau allein, Nur zum Schein! Der saubere Gemahl, 's Ist ein Skandal! Die Aermste merkt noch den Betrug, Und ich die Hand im Spiel? Das schiesst doch über's Ziel! Doch tat ich's für die Frau allein, Nur zum Schein! Ich bitt' dich, komm' jetzt fort, mein teures Eh'gemahl, Komm' jetzt nur fort, mein Eh'gemahl. （Der Vorhang fällt） ERSTER AKT Nr. 1 - Introduktion JOSEF Anna, Anna, Anna! Ich such' jetzt da. Ich such' jetzt dort, Die Kammerjungfer, scheint's, is fort! Soll ich am End' zur Gnäd'gen geh'n? Ja, darf ich mich das untersteh'n? Ich muss halt wissen, und zwar sehr g'schwind, Ob meinen Herrn ich da net find'; Denn diese G'schicht, Die eilt gar sehr, 's is eine wichtige Staatsaffäre, Die er sehr schnell erled'gen muss, Denn sonst gibt's ein Verdruss Mit uns'rem Staate Reuss-Schleiz-Greiz, Mit Dessau and'rerseits, Die Frage brennt bereits! Das hat mir g'sagt der Attaché Und der hat's vom Premier, Und die zwei wissen's eh! Jetzt sag' mir wer Wo steckt mein Herr? Er hat mir ja noch extra g'sagt "Wenn wer heut' nach mir fragt, Dir sag' ich's", sagt er, "ganz allein, Wird' draussen in der Villa sein!" Jetzt renn' ich in die Villa 'naus, Und hier scheint keiner z'Haus … Und gar vom Graden keine Spur… Wo find' ich ihn denn nur? Jetzt sag' mir wer Wo steckt mein Herr? Es wart' die Staatsaffäre! Find Ich ihn nicht, O böse G'schicht, Dann gibt am End' er mir die Schuld! Ich such' ihn da, Ich such' ihn dort, Dazu g'hört faktisch viel Geduld! Ich weiss mir jetzt schon gar kein' Rat, Er schert sich nicht um seinen Staat, O Reuss-Schleiz-Greiz, O Reuss-Schleiz-Greiz, Ich hab' mit dir ein Kreuz! O Reuss-Schleiz-Gretz! Anna! Anna! Anna! FRANZI Josef, Er? JOSEF Ach, Demoisell'! FRANZI Bringt Er Nachricht? Sag' Er schnell JOSEF Demoisell' werd'n schon verzeih'n, Wie sich's passt für ein' Lakai'n, Möcht' ich's Stubenmädel fragen, Ob sie mir vielleicht könnt' sagen, Ob sie es vielleicht möcht' wissen, Ob's die Gnäd'ge tät' verdriessen, Ob ich net komm' ungelegen, Ob - FRANZI Und ob, und ob, und ob! Die Anne Ist jetzt fort und nicht zugegen, Der Herr Graf - JOSEF Is er schon da! FRANZI Er? Noch nicht! JOSEF Da hab'n wir's ja! Alsdann Demoisell', so grüss' ich, Dero Hand gehorsamst küss ich! FRANZI Josef! JOSEF Bitt' schön, Euer Gnaden? FRANZI Sag' Er mir's, 's ist nicht sein Schaden Wo sein Graf zu finden ist? JOSEF Ja, wenn ich das nur selber wüsst! FRANZI Fünf volle Tag', Ich sag'. Fünf Tag' Hab' seinen Herrn ich nicht geseh'n! Fünf ganze Tag', Fünf Tag' Ich frag' Was er treibt, Wo er bleibt? Täglich wird's schlimmer, Denn Frauenzimmer Sind's doch nur immer, Die den Herrn Halten fern! Sag' Er's nur offen, Ich hab's getroffen Lasse Er's hör'n! Doch dass Er mir die Wahrheit spricht, Denn Lügen glückt ihm nicht! Wer auch nur einmal belogen, Der glaubt sich immer betrogen; D'rum frei und offen heraus, Man kommt damit stets gut aus! JOSEF Ah, die fratschelt mich aus! Sie kriegt doch nichts 'raus! FRANZI Na ja, ich riech' schon den Braten, Er darf den Herrn nicht verraten! JOSEF Weil ich selbst gar nix weiss, Nix Neu's! FRANZI Na, frisch heraus mit der Sprach'! Wem steigt denn wohl der Graf jetzt nach? JOSEF Wem steigt der Graf wohl nach? Nr. 2 - Duett Franzi, Graf GRAF Grüss Gott, mein liebes Kind' FRANZI Gut'n Tag, mein Herr! GRAF Was hast du? Sag's geschwind! FRANZI Ich bitte sehr . . . GRAF Was hab' ich dir getan? FRANZI Ach, das ist stark, Das ist zu arg! GRAF Was tat ich dir? Na, sag' es mir, sag' es mir doch an! FRANZI Fünf Tage lässt er mich allein, Dann soll ich lieb noch sein! GRAF Ah so, das ist's allein! - Nun, schöne Richt'rin, sprich! FRANZI Geh'weg, geh' fort! GRAF Wess macht' ich schuldig mich? FRANZI Ich sprech' kein Wort! GRAF Was ist denn mein Vergeh'n? FRANZI Ach nichts, ach nichts! GRAF Ich will ja mein Verbrechen gern gesteh'n! FRANZI 's lohnt ja nicht die Müh', Nein, nein, nein! 's ist stets eine "Sie", Und stets das nämliche Verbrechen - O du, du, du, du! Warum darüber sprechen? Ist's nicht Marie, Ist's Sidonie Und Melanie - Stets eine "Sie"! GRAF Nun ja, so lass uns doch darüber sprechen, Mir ist ja wahrlich fremd ein solch' Verbrechen. Ach, Franzi, sieh, So warst du nie! So nenn' mir die, Die du nennst "Sie"! Schau mich an, sag's frei heraus So sieht kein Verbrecher aus! FRANZI Gut! Dann sag' gefälligst mir, Wo du warst, bei welcher "Ihr"? GRAF Ich? Ich war bei meiner Frau! FRANZI Bei der Gräfin? O wie schlau! Das glaub' eine and're dir! GRAF Wirklich, Franzi! Nur bei ihr! Dann und wann muss man doch Auch bei der Frau sein - Siehst du das ein? FRANZI Ja, ich seh's ein! GRAF Drückt auch das Ehejoch, Man wahrt den Schein - Siehst du das ein? FRANZI Ja, ich seh's ein! GRAF Siehst du das ein? FRANZI Leider, leider muss das sein! GRAF Bist ja klug, siehst es ein, Also schick' dich darein! FRANZI Alles versteh'n, Das heisst alles verzeih'n! GRAF So, mein Kind, ist es schön - Alles muss man versteh'n! FRANZI So was versteh'n, Ach, das wird bei Frauen selten geh'n! GRAF Und dann FRANZI Und dann? GRAF Hör' weiter an! Bin bei der Frau ich auch, Denk' ich doch dein, Nur allein dein! FRANZI Säuselst mir jetzt Schmeichelei'n, Glaub' es nicht, nein! GRAF Ja, jeden Atemhauch Will ich dir weih'n, Bin ja ganz dein! FRANZI Du bist lieb; Ich will verzeih'n, Gnädig verzeih'n! So sind wir, Wir von hier! Nur ein gut's Wort Am Ort, Und fort Ist der Zorn und Groll, Wieder liebevoll Sind wir Wiener Frau'n Und ganz voll Vertrau'n! GRAF So seid Ihr, Ihr von hier! Am rechten Ort Ein Wort. Und fort Ist, gottlob, der Groll, Seid so liebevoll, Und darum lieb' Ich die Wiener Frau'n! Nr. 3 - Duett Graf, Josef GRAF Na, also schreib' und tu' nicht schmieren! JOSEF Ich bitt' schön, langsam zu diktieren! GRAF Mach' nicht Fehler, 's wäre sträflich! JOSEF O ich schreib' ganz orthogräflich! GRAF Ein hübscher Brief trifft oft ins Ziel… JOSEF D'rum bitt' ich nur, mit recht viel G'fühl! GRAF Du lieber Schatz, ich muss es Dir gesteh'n Seit ich Dich hab' zum erstenmal geseh'n, Ist es um mich, ich schwöre Dir's, gescheh'n, Die Sehnsucht lässt mich ja beinah' vergeh'n. D'rum bitt' ich Dich heut' um ein Stelldichein, Punkt elf, in Hietzing will ich warten Dein, Dort, im Casinogarten werd' ich sein Ich bitt' Dich, Schatz, ich bitt' Dich, Schatz, Find' Dich nur pünktlich ein! JOSEF Das wirkt! Es muss! GRAF Jetzt kommt der Schluss! Schreib' schnell, denn jetzt bin ich im Fluss Du süsses Zuckertäuberl mein, O komm', o komm' zum Stelldichein! Ich wart' bei dem bestimmten Platz, Ich bitt' Dich, komm', Du lieber Schatz! O komm' doch, komm' zum Stelldichein, Ich bitt' Dich, sag' mir ja nicht nein! Hab' Dich ja so lieb, so lieb, Du süsser Herzensdieb! JOSEF Jetzt hat sie's schwarz auf weiss, Dass Sie sie lieben, ganz brennheiss! GRAF Glaubst du, sie kommt hinaus? JOSEF Ach ja, ich kenn' mich aus! GRAF Doch vielleicht hat sie schon Einen Geliebten; was dann, lieber Sohn? JOSEF Ja, das wär' wohl ein G'frett! GRAF Na, das wär' gar nicht nett! JOSEF Doch solche Schneidermamsellen Nehmen's net streng in den Fällen! Herr Graf sind Spezialist im Lieben GRAF Jetzt lesen wir, was wir geschrieben BEIDE Du süsses Zuckertäuberl mein, usw. usw. Nr. 4 - Duett Pepi, Josef PEPI Wünsch' gut'n Morgen, Herr von Pepi! JOSEF Ach, die Peperl! So a Freud'! PEPI Bitt' schön, meld' Er mich der Gnäd'gen! JOSEF Muss das gleich sein? Das hat Zeit! PEPI Pratzerl weg! Nur hübsch solid sein! JOSEF Geh', ich bitt' dich! PEPI Geh', sei g'scheit! JOSEF Wie kann man nur gar so fad sein. PEPI Jed's Ding nur zur rechten Zeit! JOSEF Wann hast Zeit? PEPI Am Abend heut'! JOSEF Und dann wo? PEPI Geh' frag' net so! Mir scheint, du willst spassen, Jed's Kind auf der Gassen, Wenn's auch nur so gross is, Weiss doch, was heut' los is'! JOSEF Ach, ich tu' verstehen, Doch 's wird nicht recht gehen! Hab' heut' Dienst beim Herrn, Denn sonst ging mit dir ich gern! BEIDE Drauss'n in Hietzing Gibt's a Remasuri Dui, Dui, Duri! Volksfest, Hetz' und auch ein' Kreuzer-Tanz, All's is g'richt' am höchsten Glanz. Pickfüss' Hölzl a dabei - Harfenisten, Dudlerei - Ah, da wird's heut' fein! Jedes Wiener Kind Rennt nach Hietzing g'schwind - Da dabei muss 's sein! JOSEF Doch mein Graf? PEPI Geht heut' am Ball! JOSEF Richtig ja! PEPI Kommst auf jeden Fall? JOSEF Ja! BEIDE Heut' gibt's feine Sachen Tanzen, dudeln, lachen Heut' das höchste G'setz is', Weil's a Riesenhetz is'! Schieberisch mit Paschen Ja, der hat sich g'waschen Langaus mög'n mir net mehr hör'n, Sechser hab'n mir gern! PEPI Ach, wie ich mich schon d'rauf g'freu'! JOSEF Bin bei jeder Hetz dabei! PEPI Flott soll g'lebt werd'n von uns zwei! BEIDE Es bleibt dabei - Ach, wie ich mich auf Hietzing g'freu'! Nr. 5 - Finale KAGLER Da ist sie ja! MINISTER Das ist sie? Ah! JOSEF Da is sie ja! O Kruzineser! FRANZI Man hat mir g'sagt, Besuch ist da! MINISTER Des Landes Reuss-Schleiz-Greiz Verweser, Premierminister, Fürst von Ypsheim-Gindelbach! KAGLER Was? Reiz-Greiz-Schleiz? JOSEF Mir wird ganz schwach! FRANZI Oh, Durchlaucht! MINISTER Gnäd'ge, hocherfreut! JOSEF Jetzt fahr'n wir ab, 's is d'höchste Zeit! KAGLER Der Herr is' Durchlaucht? Da schau' her! Oh, Euer Durchlaucht, hab' die Ehr'! FRANZI Vom Minister ist das wirklich schön, Dass er Besuch mir macht, Dass er solche Ehre mir erweist, Nein, das hätt' ich nicht gedacht! 's hat der Graf ihm wohl von mir erzählt, Das hat ihn int'ressiert, Neugier ist es, die so sehr ihn quält, Und ihn in die Villa führt! KAGLER Von der Durchlaucht is' das wirklich schön, Dass er ein B'such ihr macht, Doch dass er mir die Ehr' erweist, Das hätt' ich nie gedacht! Dass so eine Durchlaucht mit mir red't, Das wär' mir nie passiert, Das kommt halt einfach nur davon, Weil d' Franzi Gräfin wird! MINISTER Wirklich, die Frau Gräfin ist sehr schön, Hat Eindruck schon gemacht; Ich kann den Grafen nicht versteh'n - Die Frau strahlt ja in Pracht! Dieser Graf ist blind, dass er sich noch Für and're int'ressiert; Ich öffne ihm die Augen doch, Dass er schauen wird! JOSEF Na, die G'schicht wird schöner noch als schön, Wird net ein End' bald g'macht, Wird der Fürst dann später klarer seh'n - Küss' die Hand, wünsch' gute Nacht! Dem Herrn Grafen meld' ich auf der Stell' Das, was da ist passiert, Während mit der fesch'n Probiermamsell' Mein Herr Graf charmuziert! Geh'n wir! Sonst gibt's schöne Sachen! KAGLER 's hat mich g'freut, d' Bekanntschaft z'mach'n! MINISTER Ganz meinerseits! Ganz meinerseits! JOSEF O du verflixtes Reuss-Schleiz-Greiz! Fahr'n mir ab! MINISTER Auf Wiederseh'n! KAGLER B'hüt Ihnen Gott! JOSEF Werd'n S' endlich geh'n! KAGLER Wenn S' meine Rösser woll'n benütz'n, Können S' gratis fahr'n und blitz'n! JOSEF O Kruzi, Kruzi! FRANZI und MINISTER Auf Wiederseh'n! KAGLER Hab' die Ehr'! MINISTER Ein sehr jovialer, alter Herr! Was sprach er, bitte? Fahren? Blitzen? Wie? Den Wiener Dialekt versteh' ich nie! FRANZI Na, mit der Zeit, da wird's schon geh'n! MINISTER Freu' mich unendlich, Sie zu seh'n! Ich staune, dass vor aller Welt Der Graf Sie so verborgen hält?! FRANZI Der Graf? Mein Gott, er ist ja gut, Nur hat er halt ein leichtes Blut! MINISTER Das heisst? Ich bitte! sagen Sie So haben Grund zu klagen Sie? FRANZI Ich kann mich nicht beklagen, Er ist ein Kavalier, Er gab, ich muss es sagen, Davon Beweise mir! Ich kann mich nicht beklagen, Nur dass ihm dann und wann Auch and're Frau'n gefallen Wie jedem ander'n Mann! MINISTER Der Graf, so hört' ich sagen, Ist Gatte nur nebenher, Das ist wohl Grund zum Klagen Ich hörte auch noch mehr! Es treibt es dieser Böse Wahrhaftig zu frivol Mit einer Balletteuse, Cagliari heisst sie wohl? FRANZI Mein Fürst, ich bin… MINISTER Sie sind beleidigt, Kein Mensch den Grafen auch verteidigt! FRANZI Erlauben Sie. . . MINISTER Nur ruhig Blut! Durch Eifersucht wird gar nichts gut! FRANZI Ja, aber ich muss doch erklären MINISTER Ich will darüber gar nichts hören! Ich weiss, was Sie erklären wollen Und kann nur Beifall zollen, Ich respektiere die Moral In jedem Fall! Es fallen da auf Ihren Gatten Verzweifelt düst're Schatten … Wo bleibt da, frag' ich, die Moral? 's grenzt an Skandal! Nein, nein, 's ist wirklich nicht zu sagen, Er treibt's wahrhaftig gar zu weit … FRANZI Jedoch MINISTER In einem off'nen Wagen Sah ich ihn mit der Dingsda heut'! FRANZI Sie sagen heut'? MINISTER So vor zwei Stunden! Welch' Gefühl ich da empfunden, Es grenzte schon an Unbehagen . . . Bedenken Sie! Im off'nen Wagen Mit dieser Dingsda… FRANZI Jetzt genug! MINISTER Nur ruhig! Wir strafen den Betrug! Ich bitte deshalb, keine Trauer, Die Liaisons sind nie von Dauer! Bald hat ein End' die Perfidie! FRANZI Was sagen Sie? MINISTER Ich sag', Verhältnisse wie diese, Die sind, nach Adam Riese, Auf 1 - 2 - 3 vorbei und aus; Er kehrt zurück Zur Gattin wieder voller Reue, Und hält dann mehr die Treue, Und liebt sie mehr, es spriesst aufs neue Sein Eheglück! FRANZI Ich kann nicht mehr …verzeihen Sie … Mir wird. . . mir wird … ich weiss nicht wie! Denn noch kein Mensch hat das gewagt, Und hat mir so etwas gesagt! Ich kann mich nicht beklagen, Das sagt' ich Ihnen schon! Aus dem, was Sie da sagen, Klang's fast heraus wie Hohn! MINISTER Ah, Pardon Sie missverstehen ganz FRANZI Ich hab' ganz gut verstanden, 's war bitt're Ironie, Wenn Sie das nicht empfanden, Nun, dann bedaur' ich Sie! MINISTER O weh! O weh! Mir scheint, mir scheint, Ich hab' nicht diplomatisch da gehandelt. O weh! O weh! Die Gräfin weint - Sie war ja jetzt ganz plötzlich wie verwandelt! Die arme Frau, die arme Frau… Ah, auf einmal geht mir auf ein Licht, Sie ahnte nur, nichts wusste sie, Ich geh' zu ihr, ich war ein… Na … ja! GRÄFIN tritt ein Es hat den Grafen nichts genützt, Das Warnen und das Bitten, Die Neugier ist in mir erwacht, Ich bin hieher geritten! 's steckt was dahinter, das ist klar, Den Grund muss ich erspäh'n! Ich finde alles, wie es war, So lieb, so traut, so schön! Grüss dich Gott, du liebes Nesterl, Wie du warst, find' ich dich noch, So wie einst ich dich verlassen, Als mich drückt' das Ehejoch! Oft, ach, schmollt 'ich da im Erker, Weil der Graf mich just gefreit! Ach, wie oft an diesem Schreibtisch Klagte ich Mama mein Leid! Wie hab' auf dir ich musiziert, Armes Spinett, dich malträtiert! Die Bibliothek! Mancher Roman, Den man wohl liest, Doch nicht erleben kann! Homer, Wieland, Klopstock, euch hielt ich mir Als Aufputz hier! Was seh' ich da? Da schau', ei, ei, Casanova? Das ist mir neu! - Mein Schlafgemach, es scheint wohl verlassen, Alles ist so, wie's war Hier löst' ich zaghaft mein Myrthenkränzchen Bebend aus dem Haar! Hier nahm als Braut ich zitternd den Schleier Zögernd vom Gesicht - - - Und aus den Augen flossen die Tränen Na, heute heult' ich nicht! Grüss dich Gott, du liebes Nesterl, Wie du warst, find' ich dich noch, So wie einst ich dich verlassen, Als mich drückt' das Ehejoch! Doch, wer weiss, es kann gelingen, Dass du meine Neugier stillst, Und ich doch was Neues finde, Das du mir verbergen willst! ab. MINISTER tritt wieder ein Ich klopfte ganz vergebens, Sie rief gar nicht herein! O Herr du meines Lebens, Wie konnt' so dumm ich sein! Das war nicht politisch, Auch nicht diplomatisch, Das war so Duodez-, Das war so klein-staatisch! Das war mit einem Wort, So drum herum… Das war nicht diplomatisch Sondern einfach dumm! spricht Ich gehe noch einmal zu ihr! GRÄFIN tritt wieder ein Ach, bis jetzt, du liebes Nesterl, Fand ich nichts, was mich be… Ein Herr? MINISTER Malheur! Das ist die Dingsda, Mit der er fuhr! GRÄFIN Warum fixiert der Herr mich nur? MINISTER Sie kommt hieher? Das ist zuviel! GRÄFIN Was soll denn dieses Augenspiel? MINISTER Was solch' ein Dämchen alles wagt! GRÄFIN Er macht mich ordentlich verzagt! MINISTER Nun soll sie sehen, was ich kann! GRÄFIN Mir scheint, der Herr spricht mich jetzt an! MINISTER Wissen Sie, was Takt ist? GRÄFIN Was? MINISTER Nein! Sie wissen's nicht! GRÄFIN Wie? MINISTER Dass dies abgeschmackt ist GRÄFIN Oh! MINISTER Sag' ich ins Gesicht! GRÄFIN Mein Herr! MINISTER Jawohl! GRÄFIN Was soll der Ton? MINISTER O Sie verdienen die Lektion! GRAF tritt ein Du hier? GRÄFIN Ja, Graf! MINISTER Er ist ganz baff! GRAF Und Durchlaucht, Sie? MINISTER Ja, ich, Herr Graf! GRÄFIN Mein Herr, ich bitte um ein Wort! MINISTER Ein andermal! So bringen Sie die Dame fort! Ist das der Brauch, den Kavaliere übten? Ersparen Sie doch Ihrer Frau Hier die Begegnung mit der … Geliebten! GRAF Sie haben Recht! MINISTER 's wär' gegen alle Sitte! GRÄFIN Was flüstern die? GRAF Reich' deinen Arm, ich bitte! GRÄFIN Was ist gescheh'n? Warum so jäh? MINISTER Wann sagt denn endlich die Adieu? GRAF Komm' doch, ich bitt' dich dringend, geh'! GRÄFIN Nicht eine Silbe ich versteh' . . . Seh' wohl klar, 's ist etwas da gescheh'n, Aber was? Kann's nicht versteh'n, Und er will, ich soll fort, Ich versteh' nicht ein Wort! GRAF Komm' fort! Ich bitt' dich dringend, geh', o geh'! Sie bemerkt, dass etwas da geschehen, Höchste Zeit, d'rum fortzugehen, Bitte, hör' auf mein Wort, Bitte, komm' von hier fort! MINISTER Adieu! Adieu! Adieu! Adieu! Wann sagt denn endlich die Adieu! Wie eine Klette klebt sie da, Frech sind die Dämchen leider ja! Die bringt keiner mehr fort! Es ist schad' um jed's Wort! GRÄFIN Nein, nein, daraus werd' ich nicht klug, Noch kenn' ich mich nicht aus, Doch krieg' ich's schon heraus! Mein Männchen hat da intrigiert, Na, wart', o mein Gemahl, Dir geht's fatal! GRAF Ja, ja, Gefahr ist im Verzug, Noch kennt sie sich nicht aus, Doch kriegt sie's schon heraus! Wüsst' ich, wie man es arrangiert, Sonst geht's nur noch fatal, Ja, sehr fatal! MINISTER Der Graf, der treibt es stark genug, Lässt kommen sich, o Graus, Maitressen in sein Haus Ich bin darüber indigniert, Das nennt sich ein Gemahl, 's ist ein Skandal! FRANZI tritt ein Verzeih'n Sie mir! GRAF O weh! O weh! MINISTER Das haben Sie davon! FRANZI Wer ist die Dame? GRÄFIN Wer ist die Dame? GRAF Was tut man da? O bitte, stellen Sie die Dame doch Als Ihre Gemahlin vor! MINISTER Wie? Was? Aha! Sehr gern! Hier meine Gattin! FRANZI Verehrte Fürstin! GRÄFIN Was soll das heissen? GRAF Allmächt'ger Himmel! MINISTER Und nun adieu! Der Wagen wartet schon beim Tor! FRANZI Sie geh'n! Dahinter steckt wohl ein Betrug, Doch kenn' ich nicht das Ziel, Verstehe nicht das Spiel! Soll die des Fürsten Fräu doch sein? Ich sag' nein! Die Durchlaucht ihr Gemahl? Ihr Ideal? Ich sag' nein, nein, nein, nein! Und tausendmal nein! Doch kenn' ich nicht das Ziel, Verstehe nicht das Spiel. Der Graf muss alles eingesteh'n, Mach' ihm Skandal! GRÄFIN Ich geh'! Ja, was bedeutet der Betrug, Der Graf, ich weiss soviel, Hat seine Hand im Spiel! Jetzt geh' darauf ich scheinbar ein, Lass es sein! Doch freu' dich, mein Gemahl, Dir geht's fatal! Ja, was bedeutet der Betrug, Der Graf, ich weiss soviel, Hat sei…e Hand im Spiel! Jetzt geh' darauf ich scheinbar ein, Lass es sein. Ja, ich gehe schon, ich geh', mein Herr Gemahl! GRAF Sie geh'n! O Gott, jetzt merkt sie den Betrug, Der Fürst verdarb das Spiel, Das war ja nicht mein Ziel! Was fiel ihm denn nur plötzlich ein, Die Gräfin, sein Gemahl? Das ist fatal! O jetzt merkt sie den Betrug, Der Fürst verdarb das Spiel, Das war ja nicht mein Ziel! Gott sei gelobt, sie geh'n, sie geh'n, 's war recht fatal! MINISTER So komm'! Die Aermste merkt noch den Betrug, Und ich die Hand im Spiel? Das schiesst doch über's Ziel! Doch tat ich's für die Frau allein, Nur zum Schein! Der saubere Gemahl, 's Ist ein Skandal! Die Aermste merkt noch den Betrug, Und ich die Hand im Spiel? Das schiesst doch über's Ziel! Doch tat ich's für die Frau allein, Nur zum Schein! Ich bitt' dich, komm' jetzt fort, mein teures Eh'gemahl, Komm' jetzt nur fort, mein Eh'gemahl. Der Vorhang fällt Strauss,Johann II/Wiener Blut/II
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第三場 すべての準備は終わり、舞台は次のようになっている。右手には布張りのベンチが中央に向かって弧を描くように並べられ、舞台の真ん中には判定席と呼ばれるセッティングがあって、これはやや手前よりに位置している。左手にはあのどっしりした椅子（歌の椅子）が、会議席の真向かいになるように置かれている。奥にはカーテンに沿って、弟子たちのための長く低めのベンチ。ヴァルターは弟子たちにからかわれて気分を害し、手前のベンチに腰を下ろす。ポーグナーとベックメッサーは何か話しながら出てきた。弟子たちは後方のベンチの前に立ってきちんと迎える。しばらくの間、ダーフィトだけが聖具室の入口に立っている。 ポーグナー （ベックメッサーに） 私はあなたを公平に扱っているつもりですよ。 例の件はあなたにとっても有利でしょう。 歌合戦で腕前をご披露ください。 あなたならきっと勝利を収められるはずです。 ベックメッサー だが、しかし、あなたは肝心なところを譲ってくださらない。 気にかかるのはですな、つまり、 エーファちゃんに求婚者を断る権利があることですよ。 その権利があっては私の栄光など役に立ちませんし…。 ポーグナー 何をおっしゃるかと思えば！あなたにとって 何より重要なのはそこなんですか？ 娘の気持ちも自在に操る自信がないのに、 どうして求婚などなさるんです？ ベックメッサー そうそう！まさしくそこをお願いしたく… お嬢さんに私のことをよくお話しになってください。 私がいかに心を込めて、礼儀正しく求婚してきたか、とか、 そうそう、ベックメッサーはあなたのお気に入りだということも！ ポーグナー ええ、まあ、やってみましょう。 ベックメッサー （傍白） まったく譲歩する気はないな。 これはとんだ災難が降りかかってきた。 ヴァルター （ポーグナーの姿を見とめて立ち上がり、彼の前まで行ってお辞儀をする。） こんにちは、マイスター。 ポーグナー おや、騎士殿！ よもや歌の学校でお会いするとは思いませんでしたよ。 （二人は挨拶をかわす。） ベックメッサー （相変わらずぶつぶつ言い続ける。） ご婦人方に分かってもらえるかな。女たちは つまらん小説のほうが詩より好きだと聞いたことあるし… （後方をいらいらと行ったり来たりする。） ヴァルター 僕は目的あってここに来たのです。 自分の土地を出て、 このニュルンベルクにやって来たのも、 ただ芸術を愛するがゆえでした。 昨日申し上げるのを忘れていたのですが、 お話したいことがあるのです。 僕はマイスタージンガーになろうと思っています。 （心から頼む。） マイスター、どうか僕を組合に入れていただけませんか？ クンツ・フォーゲルゲザンクとコンラート・ナハティガルが入ってくる。 ポーグナー （嬉しそうに仲間のほうに向かって） フォーゲルゲザンクさん、ナハティガルさん。 ちょっと珍しいニュースですよ。 こちらは私の知り合いの騎士なのですが、 マイスターの芸術に興味をお持ちのようで。 紹介して挨拶し合う。ほかのマイスターたちも次々と入ってくる。 ベックメッサー （また手前に戻ってきて、独り言。） 何とか方向変換できないかやってみよう。 だが、それも失敗なら、 乙女心を歌で勝ち取るのが一番だ。 静かな夜更けに私のセレナードを聴いてもらって、 彼女が愛を誓ってくるかどうか見るとしよう。 （ヴァルターに気がついて） おい、何者だ？ ポーグナー （優しくヴァルターに話し続ける。） とても嬉しいですよ。 古い時代がよみがえったようです。 ベックメッサー 何とも気に食わんぞ！ ポーグナー お望みのことは、 ベックメッサー 何をしに来たんだ？ ポーグナー 私にお任せください。 ベックメッサー ファイトは歓迎してるみたいだしな。 ポーグナー うまくいくよう取り計らいましょう。 家財の売却をお手伝いしたように、 ベックメッサー それ、ジクストゥス！ ポーグナー 組合への入会についても喜んで取り計らいましょう。 ベックメッサー 油断は禁物だぞ！ ヴァルター ご親切なお心遣い、感謝いたします。 では、今日この場でマイスタージンガーに なれるという希望を持ってもいいのでしょうか？ ベックメッサー こりゃ、舞い上がってるな。そうはうまくいくものか。 ポーグナー 騎士殿、それは規則に従って決められます。 ですが、今日は試験ですから、 あなたを紹介してみましょう。 マイスターたちは快く迎えてくれるでしょう。 マイスタージンガーたちは皆到着する。最後にハンス・ザックス。 ザックス こんにちは、皆さん！ フォーゲルゲザンク 全員そろったかな？ ベックメッサー ザックスも来ましたしね。 ナハティガル では点呼を！ コートナー （名簿を取り出してそばに置き、大声で呼ぶ。） 歌の試験および組合会議のため 集まったマイスター方が 皆揃っているかどうか確認いたします。 その役目を担いますのは 新人の私、フリッツ・コートナーです。 おいでですか、ファイト・ポーグナー？ ポーグナー ここにおります。 （座る。） コートナー クンツ・フォーゲルゲザンク。 フォーゲルゲザンク 一人見つかりました。 （座る。） コートナー ヘルマン・オルテル。 オルテル いつも出席しとりますよ。 （座る。） コートナー バルタザール・ツォルン。 ツォルン 早退なんかしないからご安心を。 （座る。） コートナー コンラート・ナハティガル。 ナハティガル あのさえずりは好きですよ。 （座る。） コートナー アウグスティン・モーザー。 モーザー 欠席したことはありませんからね。 （座る。） コートナー ニコラウス・フォーゲル。あれ、どちらにおいでで？ フォーゲルの弟子 （ベンチから立ち上がって） 病気なんです。 コートナー では、お大事に、とお伝えしてくれ。 マイスターたち （コートナーを除く） お大事に！ フォーゲルの弟子 ありがとうございます。 （また座る。） コートナー ハンス・ザックス。 ダーフィト （出しゃばってザックスを指し） そこにいるじゃないですか！ ザックス （ダーフィトをにらんで） 出しゃばるな！ 失礼しました。ザックスは出席しております。 （座る。） コートナー ジクストゥス・ベックメッサー。 ベックメッサー いつもザックスと一緒ですよ。 （座りながら） 「花咲き育つ」を学ばないとならないのでね。 ザックスは笑う。 コートナー ウルリヒ・アイスリンガー。 アイスリンガー はい。 （座る。） コートナー ハンス・フォルツ。 フォルツ ここです。 （座る。） コートナー ハンス・シュヴァルツ。 シュヴァルツ 最後ですな。 神の思し召しというわけです。 （座る。） コートナー 会議には十分な人数ですな。 よろしければ、判定役の選挙でもやりましょうか？ フォーゲルゲザンク ヨハネ祭の後のほうがいいのでは？ ベックメッサー 皆さん、そんなに急いでるんですか？ 何なら私の仕事はぜんぶクンツに譲ってもいいが。 ポーグナー いいえ、その件はまた今度にしましょう。 実は私から重要な提案があるのですが。 マイスターたちは立ち上がってコートナーに同意を示し、また座る。 コートナー どうぞお話しください。 ポーグナー では、お聞きください。 ご存じのように、明日は 待ちに待ったヨハネ祭です。 花が咲き誇る緑の草原で、 皆悩みを忘れて、 喜びだけを感じ、 音楽や踊りに興じる素晴らしい一日。 誰もが思い思いに楽しむのです。 マイスターは歌の学校を 聖歌隊に任せ、 音楽とともに、 広々した草原に出て行って、 楽しげな祝いのざわめきと合流します。 そして民衆は気軽な気持ちで 歌合戦に耳を傾けます。 この歌合戦では 勝利者に出される賞があり、 これまで幾度も、素晴らしい歌を歌った者に さまざまな報酬が与えられました。 神は私を大富豪にしてくれましたが、 財産を持つ身としてできるだけのことはしているつもりです。 そこで今回、報酬に何を出したらよいか 思案しました。 手にした地位にふさわしくあるために、 何を思いついたか、どうかお聞きください。 私はドイツの国々を多く旅しましたが、 どこでも市民が悪く言われていて、 私はしばしば憤怒やるかたない思いをしました。 宮廷から貧民階層にいたるまで 市民は皆ケチでお金にしがみつくと噂だったのです。 どこであれ少なからず非難の目で見られました。 世間では判で押したように 市民は欲深いと決めつけています。 我々はドイツ中で 唯一芸術を守り抜く立場であるのに、 そんなことはなおざりにされてしまっている。 しかし何と言われようと、勇気をもって美しき良きものを 守っているのは我々であり、 マイスターの誇りはまさしくここに存在しています。 芸術の価値、それがいかに尊いものか、 世界に分かってもらわねばなりません。 そこで、マイスター方、 私が何を考えたかお聞きください。 聖ヨハネ祭に 民衆の前で開かれる 歌合戦で勝利を収めた者に、 それが誰であれ、どんな身分であろうと 芸術を愛するこの私、 ニュルンベルクのファイト・ポーグナーは 自分の財産すべてを捧げるとともに、 一人娘のエーファを妻に与えます。 マイスターたち （立ち上がり、がやがやと） いいぞ、いいぞ！いかにも男らしい！ ニュルンベルク人が何ができるかしかと見せてやろう！ あなたはきっとあちこちから讃えられますよ。 ポーグナー家のファイト、誠実な市民！ 弟子たち （楽しそうにぴょんぴょん跳ねながら） 世界的に有名になるぞ！ ポーグナー家のファイトって！ フォーゲルゲザンク 独身だったらなあ、と思うやつもいるだろうね。 ザックス 中には自分の妻を放り出すやつもいるかもな。 コートナー 独身男はこのチャンスを逃すな！ ポーグナー まあ、どうかまじめに聞いてください。 （マイスターたちは一人二人とまた座り、 弟子たちも同じく座る。） 今回の報酬は物ではありませんから、 娘も審査の場に同席させてください。 誰に賞を与えるか決めるのはもちろんあなた方ですが、 結婚についてはよく考える必要がありますから、 マイスターの審査の如何に関わらず、 花嫁は拒む権利を有するものとします。 ベックメッサー （くるりとコートナーのほうを向いて） 賢明なことと思うか？ コートナー （大声で） ということは、 お嬢さんに何でも任せるんですか？ ベックメッサー うん、これは危険極まりない！ コートナー どうも感心できませんな。 それではマイスターの審査はどうなります？ ベックメッサー いっそのことお嬢さんの勝手で選ばせて、 マイスターの歌なんかやめにしたらいいんだ！ ポーグナー そうじゃありませんよ！きちんと理解してください。 あなた方が賞を授けた者を、 娘は断ることはできます。 しかし、自分で花婿を選ぶ権利はありません。 娘の夫はマイスタージンガーでなければならず、 娘に求婚できるのはあなた方が選んだ人だけなのです。 ザックス （立ち上がって） 失礼ですが、 それは少々度を越しているのではありませんか？ 乙女心とマイスターの芸術は 同列に論じるべきものではありません。 お嬢さんは特別マイスターの芸術に通じているわけではないし、彼女の価値観はむしろ民衆に近いのではないでしょうか。 あなたがいかに芸術を尊敬しているか 民衆に示そうというなら、 お嬢さんに選ぶ権利を与えたほうが良いでしょう。 芸術の硬直を避けるためにも、 民衆を審査に加えてはどうでしょうか。 きっと彼らはお嬢さんと同じ意見を持っているでしょう。 フォーゲルゲザンク、ナハティガル これは何を言うかと思えば！ 全員の親方 （ザックスとポーグナーを除く。） 民衆？冗談じゃない！ そんなことになったら芸術とマイスターの終焉だ！ コートナー だめですよ、ザックスさん！そんなのは無茶だ！ 民衆が勝手に規則を変えてしまう！ ザックス よく聞いてください。興奮なさらずに！ もちろん規則の重要性は私も承知しています。 この組合で規則を維持するために 何年も骨を折ったのはほかならぬ私なのですから。 しかし、年に一度は、 規則主義に陥って無意味なものになっていないかどうか、 見直す時間を設けるべきでしょう。 皆さんの情熱や生命力が廃れていないかどうか、 あるべき道を外れていないかどうか、 それをあなた方に言えるのは、 タブラトゥールなど知らない者だけです。 弟子たちが跳び上がり、小躍りして喜ぶ。 ベックメッサー ちくしょう！若造どもが大喜びだ！ ザックス （熱心に続ける。） ですから決してあなた方に悪いようにはならないでしょう。 聖ヨハネ祭は年に一度なのですから、 その時に民衆に来ていただく代わりに あなた方も雲の上から降りて、 民衆に目を向けるのです。 民衆あっての我々です。 そこで思ったのですが、 彼らがあなた方と同じように楽しんでいるかどうか、 尋ねてみるべきではありませんか？ 民衆と芸術は同じように栄えなければなりません。 これがハンス・ザックスの意見です。 フォーゲルゲザンク たしかにもっともに思えるな。 コートナー 冗談じゃない。 ナハティガル 民衆が口をはさむなら、私は何も言わないぞ。 コートナー 芸術は泥まみれになって辱められ、 民衆のご機嫌にもてあそばれてしまいますよ。 ベックメッサー ここで大口をたたいてるザックスは、 流行歌が一番得意なんですよ！ ポーグナー ザックスさん、私の提案じたいかなり斬新なのです。 あまりいっぺんにやると後悔しますよ。 （マイスターたちのほうを向いて） さて、私が提案しました報酬はいかがでしょう、 ご同意をいただけますか？ （マイスターたちは立ち上がって同意する。） ザックス お嬢さんに拒否権があるので良いとしましょう。 ベックメッサー 靴屋はいつもカチンとくることばかり言う！ コートナー 誰が応募します？ 独身者じゃないとだめですからね。 ベックメッサー やもめでもいいのでは？ザックスに聞いてみたらいいですよ。 ザックス とんでもない！私やあなたより若い男でなくては いけませんよ。 エーファちゃんと結婚するんですから。 ベックメッサー 私より若い男？意地が悪いな！ コートナー 歌の試験を始めましょう。 試験に応募したい方はおいでですか？ ポーグナー そうですね、会議を進めましょう。 じつはもう一つお話があって、 ある若い騎士をこの組合に ご紹介したいと思います。 彼は、もし皆さんの同意を得られるなら 今日ここでマイスタージンガーになりたいと申しております。 シュトルツィング殿、おいでください。 ヴァルターが出てきて、お辞儀をする。 ベックメッサー （傍白。） やっぱり言わんこっちゃない！ファイトのやつ、何をする気だか。 （大きな声で） 皆さん、もうそろそろ閉会したほうが良いかと… シュヴァルツとフォルツ 名誉なことと言えるかな。 ほかの親方たち 騎士か… フォーゲルゲザンク、モーザー、アイスリンガー 喜んでいいかどうか分からないな。 ツォルン、コートナー、ナハティガル、オルテル もしかしたら危険かもしれないな。 フォーゲルゲザンク どうも心配だ。 全員の親方 いずれにしても重要なことには違いないな、 ポーグナー親方が推薦するんだから。 コートナー 騎士殿を歓迎しましょう。 ただし、その前にいくつかご質問があります。 ポーグナー どうぞお聞きください。私はこの方の成功を 祈ってはいますが、規則は守りたいと思いますから。 では、どうぞご質問を。 コートナー では、まずおっしゃっていただきたい。 あなたは由緒正しき生まれですか？ ポーグナー それは余計な質問でしょう。 私自身が彼の城を拝見し、 その生まれが由緒正しきことは重々承知しております。 フランケン地方の貴族、シュトルツィング家の ヴァルターについては、 手紙や文書によっても身分は証明されています。 彼はシュトルツィング家の末裔で、 最近自分の土地を去り、 市民になろうとの志を持って、 ニュルンベルクに出てきたのです。 ベックメッサー 騎士面をした根なし草め！ろくなことはない！ ナハティガル ポーグナー氏のお言葉で十分でしょう。 ザックス なぜマイスターの質問に身分の項目があるのですか？ 貴族でも農夫でもいいではありませんか。 ここで問われるのは芸術的資質のみ、 マイスタージンガーとして必要なのはこれだけのはずです。 コートナー では、その方面についてお尋ねします。 どちらのマイスターで学ばれましたか？ ヴァルター ある冬の日、静かな暖炉のそばで、 城は雪に閉ざされていましたが、 かつて春が優しく微笑みかけたように、 命がよみがえるがごとく、 先祖から残された一冊の古い本が 僕に多くのことを教えてくれました。 ヴァルター・フォン・デア・フォーゲルヴァイデ、 彼こそが僕のマイスターでした。 ザックス 素晴らしいマイスターだ。 ベックメッサー だが、とっくに死んでるぞ。 死人が規則を教えるとは生まれて初めて聞いた。 コートナー しかし、どの学校で歌を習ったのです？ 成績はどの程度でした？ ヴァルター やがて野原が氷から解き放たれ、 夏が訪れると、 かつて長い冬の間に 古い本が教えてくれた歌が、 森の殿堂に響き渡っていました。 僕は明るく響くその歌に聴き入り、 森の中にはフォーゲルヴァイデの精神が息づき、 そうした自然からも歌を学び取ったのです。 ベックメッサー なるほど！アトリやシジュウカラから マイスターの調べを習ったんですか。 じゃ、大したことはないでしょうな！ フォーゲルゲザンク でも、騎士殿は優美なシュトレンを二つ作り上げた。 ベックメッサー フォーゲルゲザンク殿、彼が鳥から歌を習ったからって、 そうべた褒めすることないでしょう。 コートナー どう思われます？もう少し質問を続けますか？ 私が考えるに、ここに騎士殿はふさわしくないのでは？ ザックス それはすぐにわかることです。 彼が正しく芸術をつかみ、 それを身につけているのなら、 誰が教えたかなどどうでもいいでしょう。 コートナー （ヴァルターに） 用意はいいですか？ 新しいマイスター歌曲を 詩や節にいたるまで自作して、 ここで聴かせていただかなくてはなりませんが。 ヴァルター 冬の夜や森の飾り、 本と自然が教えてくれたもの、 詩人の歌がいかに偉大か、 そうしたことはすべて僕の中で花開きました。 戦いに向かう馬の駆け足や、 青空の下での楽しげな輪舞までが 僕の感覚を刺激してくれました。 この世で最高に素晴らしい地位のために、 これらは歌に姿を変え、 湧き上がる言葉と調べが 僕に流れ込んでくる。 それをマイスター歌曲に仕立て、 僕の知識のほどを見ていただきたいと思います。 ベックメッサー ごちゃごちゃ言ってばかりだが、何か分かったか？ フォーゲルゲザンク そうだな、彼ならやってくれそうだ！ ナハティガル かなり珍しい事例だな。 コートナー では、マイスター方、よろしければ 判定を始めましょうか。 （ヴァルターに） 歌の題材は聖なるものになさいますか？ ヴァルター 僕にとって聖なるものは愛。 愛を題材に歌い、希望を勝ち取りたいと思います。 コートナー それは世俗的ですな。では一人で十分だ。 ベックメッサー親方、判定席へどうぞ。 ベックメッサー （立ち上がり、いかにも嫌そうに判定席に歩いていく。） やれやれ、骨の折れる作業だ。特に今日はね！ 思うにチョークもかなり使う羽目になるだろう。 （ヴァルターにお辞儀をして） 騎士殿、どうぞよろしくお見知りおきを。 判定役を務めるのはこのジクストゥス・ベックメッサー。 あちらの判定席で 黙々と作業をいたします。 七つまでの間違いは許されますよ。 チョークでしっかり記録しておきます。 ただし、うっかり八つめの間違いを犯そうものなら 残念ながら騎士殿は失格です。 （判定席に座る。） よく耳を澄ましていますが、 あなたの勇気を削ぐと困りますのでね、 あなたが落ち着いていられるように姿を隠し、 この中に閉じこもることとします。 あなたのことについては神の御心のままに。 （彼はわざとらしい、親切そうな表情で頭を突き出し、それから閉ざされたカーテンの向こうに姿を消す。） コートナー （弟子たちに合図を出してからヴァルターに） お歌いになるにあたって、 必要なことをタブラトゥールに沿ってお話ししましょう。 （二人の弟子が壁にかかっていた《タブラトゥール》という文書が入った額縁を下ろし、コートナーの前に差し出す。コートナー、読み上げる。） 「バール形式によるマイスター歌曲は、 さまざまな細かき掟によりて 理路整然と作られ、 何者もこれに反するべからず。 まず二つのシュトレンあり、 これ、ともに同じ旋律で作曲するべし。 シュトレンはいくつかの詩節の連なりでできたものなり。 終わりは必ず韻を踏むべし。 それに続くはアプゲザンク、 これ、長い節で作られるものなり。 シュトレンで使いし旋律は用いんことを、 まったく新しき旋律を作曲するべし。 バールは皆かくあり、 マイスター歌曲と呼ばれるものなり。 新しき歌を作りし者、 ほかのマイスター歌曲よりの引用を 四綴り超えぬ場合に、 賞を授けるものとするなり。」 （弟子たちに額を持っていくように指示する。弟子は元通り壁に掛ける。） では、こちらの歌の椅子にお座りください。 ヴァルター （ちょっと嫌そうに） この椅子…にですか？ コートナー そうするのが決まりです。 ヴァルター （椅子の段を上り、いやいや座る。傍白。） いとしい人のために、やらなくては！ コートナー （大声で） 歌い手は着席しました。 ベックメッサー （姿は見えず、判定席の中から甲高い声で） 始めよ！ ヴァルター 始めよ！ 春は森に向かってそう呼びかけた、 その声が奥深くまで届くようにと。 春の声は、波が押し寄せるごとく 森の広間に響き渡った。 遠くから喜びの波が近づき、 力強く自らのほうへ引き寄せる。 波打ち、響き渡り、 森には温かい息吹が 広がっていく。 もう明るい響きがすべてを包み込んだ。 波の何と元気なことか！まるで鐘の音のごとく 歓喜の流れが押し寄せてくる。 森はすぐに生き生きと 呼びかけに応えた。 森に命を与え、 共に声を合わせしものこそは 優しき春の歌！ （判定席の中から不満そうなため息や、黒板を引っ掻くようにチョークで失点をつけるのが聞こえてくる。ヴァルターもそれに気がつくが、少し経ってからまた歌い続ける。） 茨の茂みに、 妬みと悲嘆に捕らわれながら 身を隠すものがいる。 怒りに身を震わす冬だ。 干からびた木の葉の周りを 窺い、聞き耳を立てて、 あの喜ばしい響きを何とか打ち消せぬものかと 思案する。 （椅子から立ち上がる。） しかし 「始めよ！」という呼びかけ！ この声が僕の胸に響いてきた、 まだ僕が愛を知らなかった時に。 すると、夢から覚めるように、 自分の中で何かが生まれ、 想いはは激しく鼓動しながら 胸に広がった。 駆け巡る血潮は 新たな感覚を呼び覚まし、 春は圧倒的な強さで暖かい夜の間から ため息の海と化していた僕のもとに、 太陽の喜びを与えてくれた。 この心はすぐに あの呼びかけに応えた、 命を呼び覚ますあの魔法に。 今こそ讃えよう、 素晴らしい愛の歌を！ ベックメッサー （乱暴にカーテンを開け） もう終わりですか？ ヴァルター なぜそんなことを聞く？ ベックメッサー 黒板がもうびっしりなのでね。 （彼はチョークの跡だらけの黒板を突き出す。マイスターたちは吹き出す。） ヴァルター 聴いてください。僕が愛する人を讃えるところまで やっとたどり着いたんですから。 ベックメッサー （判定席を出てきながら） 好きなところでお歌いください。ここでは失格ですから。 皆さん、見てくださいよ、この黒板！ 私も結構経験はありますがね、こんなのは前代未聞です。 誰がかばったって、相手にしませんからね！ ヴァルター 皆さん、邪魔させないでください！ 終わりまで聴いてくださらないのですか？ ポーグナー 書記殿、ちょっと興奮しすぎですよ！ ベックメッサー やりたい者がいたら続きをやってもらって結構！ とにかく騎士殿が歌い損ねたのは明白。 誰が何と言おうとこの私が証明できます。 しかし、誰が判定したって大変だと思いますよ。 どこで始まるのか分からないし、終わりもあやふや。 とてつもない数の間違いをここで数えたって 仕方がないから黙っておきますが、それにしても！ 長すぎたり短すぎたり、どこで終わるか分かりもしない！ これのどこがバール形式なんです？ 一言、「さっぱり訳が分からない」とだけ言っておくか。 こんなに意味のない歌なんか聴いたことがない！ マイスターたち （ザックスとポーグナーを除く。） たしかに何とも言い難い。認めざるを得ない。 どこで終わるのかよく分からなかった。 ベックメッサー おまけにあの調べ！支離滅裂だ。 「物好き」の調べに、「青臭い騎士気取り」の調べ、 「モミの背が高い」とか、「威張った若造」などなど！ コートナー たしかに意味不明でしたな。 ベックメッサー 区切りはつかめないし、コロラトゥーラはないし、 メロディーらしきものがどこにもない！ オルテル、次にフォルツ この歌を何と言ったらいいか。 モーザー これじゃ神経が持たん。 ナハティガル たしかに神経がすり減る。 フォーゲルゲザンク とにかくうるさい！ ツォルン それ以外の何物でもない！ コートナー 椅子から立ち上がりもしましたぞ！ ベックメッサー これ以上間違いだらけの試験を続けますか、 それとも歌い損ねの証明をしましょうか？ ザックス （彼は初めからヴァルターの歌を真剣に聴いていたが、いま割って入って） 待ってください！そうあわてずに！ 皆があなたと同じ意見ではありませんよ。 騎士殿の歌も節づかいも たしかに新しいが、混乱してはなかった。 我々の流儀とは違うが、 きちんと正確で、乱れたところなどない。 自分たちの規則で 推し量ることのできないなら、 いったん慣習を捨てて、 原点に立ち返ったうえで考えてみるべきです。 ベックメッサー へへえ、なるほど。どうです、皆さん。 ザックスは能無し男に逃げ穴を作ってやってる。 やつのお気に入りはそこを出たり入ったりして、 楽々とのさばるってわけですな。 この男は市場や路地裏で歌っていればいいでしょう。 ここでは規則は絶対的なものなんです！ ザックス 判定役殿、そうむきになることはないでしょう。 ちょっとは静かにしたらどうです？ あなたの判定には見直しが必要です。 もう少しちゃんと聴いてください。 終わりまで聴かなくては何も分かりません。 騎士殿に続きを歌っていただきましょう。 ベックメッサー マイスター組合だろうが学校だろうが、 ザックスにかかってはめちゃめちゃだ。 ザックス 何てことを！私が言っていることは 規則の方針にかなうことですよ。 本を開けばちゃんと書いてあります。 「判定役たるもの、 自らの愛憎を基準にして、 審査を行うことなかりけり。」 しかし、判定役殿が求婚しようとうずうずしていては、 あらゆる手立てを尽くして、 公衆の笑い者にしたくなるんじゃありませんか、 椅子に座って歌っている恋敵をですよ！ （ヴァルターの顔は紅潮する。） ナハティガル ああ、そんなことまで言ってはいけませんよ！ コートナー プライバシーの侵害です！ ポーグナー お願いですから皆さん、諍いはやめてください！ ベックメッサー おいおい、そんなこと言ってる暇があったら、 私の歩き具合を気にしてもらいたいもんだ。 ワックスがけにだけ集中して、 私の足の指がけがをしないように作ってくださいよ。 靴屋が詩人として有名になってからというもの、 靴のほうはすっかりおろそかになってる。 見てみろ、ぶかぶかだわ音はうるさいわ！ やつがどんな歌を作ろうが勝手だし、 ばかみたいなのを支持しようが、何しようが とにかく明日までに新しい靴を作ってもらわねば！ ザックス （耳の後ろを掻いて） たしかにおっしゃる通りかもしれませんね。 しかし、マイスター方は皆ご存じのように、 私は靴底にも必ず ― 相手がロバ曳きであっても 何か格言を入れるのが習慣です。 となると、尊敬すべき市の書記にも 何も書かないわけにはいきません。 ただ、あなたには何の格言がふさわしいか、 私の乏しい知識では 待っても待っても思い浮かばないんですよ。 しかし、いま騎士殿の歌を聴かせていただければ 何か思いつくかもしれません。 というわけで、邪魔せずに続きを！ ヴァルターはひどく興奮して椅子に登り上がり、下を見下ろす。 ベックメッサー 冗談じゃない！終わりにしてくれ！ オルテル、モーザー、フォーゲルゲザンク、ナハティガル （口々に） もういい！ ツォルン、アイスリンガー とにかく終わりにしよう！ コートナー 聴くのはたくさん！閉会だ！ ザックス （ヴァルターに） 判定役が癇癪を起すように歌いなさい。 ベックメッサー この段になって、まだ聴けというのか？ おい、何かに取り憑かれたんじゃないのか？ （彼は判定席から黒板を取ってきて、続く歌の間に、審査するマイスターに一人ひとりすり寄って行き、間違いを羅列し続ける。） ヴァルター 暗闇に包まれた茨から フクロウが飛び出した。 不愉快なガーガー声で 周りのカラスたちを叩き起こし、 ベックメッサー 大小さまざまの間違いが ほら、ご覧の通り。 マイスターたち （ザックスとポーグナーを除く。） たしかにそうだな。 ヴァルター 闇を司る群れとなって、 そこら中でガーガーと 鳴きながら威嚇する。 辺りはカササギとあらゆる種類のカラスでいっぱいだ！ ベックメッサー 「関連性の低さ」に「不明瞭な言葉」、 「旋律が細切れ」、「取れない悪い癖」。 マイスターたち （ザックスとポーグナーを除く。） よく分かった。 残念ながら騎士殿は見込み薄のようだな。 ザックスがどんなにこの歌を評価しようと、 歌の学校にそぐわないものはそぐわない！ ザックス （感心しながらヴァルターを見つめて） 勇気のある方だ！ 強い精神を持っている！ ヴァルター その時、黄金の翼を持った 素晴らしい鳥が 空に羽ばたいた。 金色の翼は明るく輝き、 その光で闇を照らし出す。 ベックメッサー つかみどころはないし、韻の踏み方はなってないし、 バール形式を「逆さま」するわ、置き換えるわ。 シュトレンの合間には「継ぎ接ぎ」まである。 ポーグナー ええ、わかりましたよ。仕方がないが、 騎士殿はここに合わないのですね。 マイスターたち （ザックスとポーグナーを除く。） 一人ひとりに選ぶ権利があるのだから、 仲間にしたいと思う者を支持するのが当たり前だ。 ザックス いいから黙って聴きましょう！ ヴァルター 幸せをもたらしつつ羽ばたき、 飛び立ってここを去るよう、僕に呼びかける。 僕はあまりの好意に感激して、 心が高鳴る。 ポーグナー ここで絶対的多数の意見に賛同しても、 嫌なことが起きるのではないだろうか。 マイスターたち （ザックスとポーグナーを除く。） 彼を迎え入れるのなら、 マイスターの価値などなくなってしまうだろう。 ザックス （一生懸命に） いいから、聴いてくださいよ！ ベックメッサー どう聴いても「意味不明」。 ザックス 判定役殿、ちょっとは頭を冷やして！ ベックメッサー 「不明瞭な言葉」、「いざこざ」はあるし、 ここでは脱線してるし、 呼吸はなってないし、今度は「突然の変化」。 ヴァルター 苦難の中で翼が生え、 勇敢な飛行へと 飛び立って、 汚水溜めのような街を去り、 空の間を渡って はるか彼方の秘密の丘へ。 ザックス とにかく聴きましょう、評価なんかあとでいいでしょう！ ああ、だめだ！何を言っても無駄だ！ 自分の言葉さえ聞き取れない。 ベックメッサー メロディーだってめちゃくちゃ。 どの音もごった返してる！ ザックス 誰も聴いてやらないのか。 だが、こうした中で歌い続けるのは、勇敢な証拠だ。 ポーグナー 騎士殿の面倒なら喜んで引き受けたいと思ったのだが。 ヴァルター フォーゲルヴァイデの草原、 かつてマイスター・ヴァルターが僕を目覚めさせたところ。 そこで僕は明るく高らかに歌うのだ、 最愛の女性を賛美する歌を。 ダーフィトと弟子たち （ベンチから立ち上がり、判定席に近づいて輪を作り、踊る準備をする。） 無事マイスタージンガーになられますように！ 栄光の冠を勝ち取ってください！ （彼らは判定席の周りで輪を作り、楽しそうに踊る。） ベックメッサー こんな面倒な作業、誰がしたいものか。 それ、皆さん間違いを数えてみてくださいよ！ マイスターたち （ザックスとポーグナーを除く。） 騎士殿には気の毒だが。 ポーグナー 娘婿になってくれたらうれしいのだが。 ザックス まっすぐな心の持ち主だ。 何と勇敢な詩人だろう！ ヴァルター さらに上空へと上り、 マイスターを名乗るカラスに付き纏われようとも、 誇り高き愛の歌は… ダーフィトと弟子たち 絹でできた花冠は 無事騎士殿のものになるだろうか。 ベックメッサー 間違いが八つで済めばいいうちだったろうよ。 こんなにひどいのは誰もやらかしたことない！ ポーグナー 歌合戦で勝利した者を連れてきても、 娘は拒否するかもしれないし。 マイスターたち （ザックスとポーグナーを除く。） ザックスは騎士殿にご執心だな。 （笑う。） ハハハ！ ザックス 多くの詩や靴を作ったハンス・ザックスが証言します、 騎士殿こそ素晴らしい詩人です。 マイスターたち （ザックスとポーグナーを除く。） 何とも不愉快な事態に陥ったぞ。 とにかく終わらせよう！ ベックメッサー もう五十は軽く超えてしまった、何てありさまだ！ これでもマイスターに選ぶとでもいうんですかね？ ポーグナー 何より気にかかるのは エーファが拒否しはしないか、そのことだ。 マイスターたち （ザックスとポーグナーを除く。） さあ、皆さん、決めましょう。 手を上げて！ （マイスターたちは挙手する。） ヴァルター 低俗なマイスター方よ、さらば！ ベックメッサー さあ、皆さん、宣言してください！ マイスターたち （ザックスとポーグナーを除く。） 歌い損ねで失格です！ ヴァルターは誇りを失わず、軽蔑するような身振りで椅子を下り、すばやく出ていく。どこもかしこも大騒動である。マイスターたちが互いに押し合いながら戸口に向かうと、弟子たちが楽しそうに判定席や歌の椅子、マイスターのベンチなどを片付けにかかる。ザックスはただ一人舞台前面に残り、もはや誰もいない歌の椅子をなお感慨深げに見つめているが、弟子たちが椅子に手をかけると、おどけたような不機嫌な身振りでそっぽを向く。幕が下りる。 DRITTE SZENE Die Einrichtung ist nun folgendermassen beendigt Zur Seite rechts sind gepolsterte Bänke in der Weise ausgestellt, dass sie einen schwachen Halbkreis nach der Mitte zu bilden. Am Ende der Bänke, in der Mitte der Bühne, befindet sich das »Gemerk« benannte Gerüst, welches zuvor hergerichtet worden. Zur linken Seite steht nun der erhöhte, kathederartige Stuhl (»der Singstuhl«) der Versammlung gegenüber. Im Hintergrunde, den grossen Vorhang entlang, steht eine lange niedere Bank für die Lehrlinge. Walther, verdriesslich über das Gespött der Knaben, hat sich auf die vordere Bank niedergelassen. Pogner und Beckmesser sind im Gespräch aus der Sakristei aufgetreten. Die Lehrbuben harren, ehrerbietig vor der hinteren Bank stehend. Nur David stellt sich anfänglich am Eingang der Sakristei auf POGNER zu Beckmesser Seid meiner Treue wohl versehen. Was ich bestimmt, ist Euch zu Nutz im Wettgesang müsst Ihr bestehen; wer böte Euch als Meister Trutz? BECKMESSER Doch wollt Ihr von dem Punkt nicht weichen, der mich - ich sag s - bedenklich macht; kann Evchens Wunsch den Werber streichen, was nützt mir meine Meisterpracht? POGNER Ei sagt! Ich mein, vor allen Dingen sollt Euch an dem gelegen sein. Könnt Ihr der Tochter Wunsch nicht zwingen, wie möchtet Ihr wohl um sie frei n? BECKMESSER Ei ja! Gar wohl! Drum eben bitt ich, dass bei dem Kind Ihr für mich sprecht, wie ich geworben zart und sittig und wie Beckmesser grad Euch recht. POGNER Das tu ich gern. BECKMESSER beiseite Er lässt nicht nach! Wie wehrt ich da nem Ungemach? WALTHER der, als er Pogner gewahrt, aufgestanden und ihm entgegengegangen ist, verneigt sich vor ihm Gestattet, Meister! POGNER Wie, mein Junker? Ihr sucht mich in der Singschul hie? Sie wechseln die Begrüssungen BECKMESSER immer beiseite Verstünden s die Frau n! Doch schlechtes Geflunker gilt ihnen mehr als all Poesie. Er geht verdriesslich im Hintergrunde auf und ab WALTHER Hier eben bin ich am rechten Ort. Gesteh ich s frei, vom Lande fort was mich nach Nürnberg trieb, war nur zur Kunst die Lieb . Vergass ich s gestern Euch zu sagen, heut muss ich s laut zu künden wagen ein Meistersinger möcht ich sein. Sehr innig Schliesst, Meister, in die Zunft mich ein! Kunz Vogelgesang und Konrad Nachtigall sind eingetreten POGNER freudig zu den Hinzutretenden Kunz Vogelgesang! Freund Nachtigall! Hört doch, welch ganz besondrer Fall! Der Ritter hier, mir wohlbekannt, hat der Meisterkunst sich zugewandt. Vorstellungen, Begrüssungen, andere Meister treten noch dazu BECKMESSER wieder in den Vordergrund tretend, für sich Noch such ich s zu wenden; doch sollt s nicht gelingen, versuch ich des Mädchens Herz zu ersingen. In stiller Nacht, von ihr nur gehört, erfahr ich, ob auf mein Lied sie schwört. Walther erblickend Wer ist der Mensch? POGNER sehr warm zu Walther fortfahrend Glaubt, wie mich s freut! Die alte Zeit dünkt mich erneut. BECKMESSER Er gefällt mir nicht! POGNER Was Ihr begehrt, BECKMESSER Was will er hier? - POGNER ...soviel an mir.... BECKMESSER Wie der Blick ihm lacht! POGNER ... sei s Euch gewährt. Half ich Euch gern bei des Guts Verkauf, BECKMESSER Holla, Sixtus! POGNER in die Zunft nun nehm ich Euch gleich gern auf. BECKMESSER Auf den hab acht! WALTHER Habt Dank der Güte aus tiefstem Gemüte! Und darf ich denn hoffen, steht heut mir noch offen, zu werben um den Preis, dass Meistersinger ich heiss ? BECKMESSER Oho! Fein sacht! Auf dem Kopf steht kein Kegel! POGNER Herr Ritter, dies geh nun nach der Regel. Doch heut ist Freiung ich schlag Euch vor; mir leihen die Meister ein willig Ohr. Die Meistersinger sind nun alle angelangt, zuletzt Hans Sachs SACHS Gott grüss Euch, Meister! VOGELGESANG Sind wir beisammen? BECKMESSER Der Sachs ist ja da! NACHTIGALL So ruft die Namen! KOTHNER zieht eine Liste hervor, stellt sich zur Seite auf und ruft laut Zu einer Freiung und Zunftberatung ging an die Meister ein Einladung bei Nenn und Nam , ob jeder kam, ruf ich nun auf als letztentbot ner, der ich mich nenn und bin Fritz Kothner. Seid Ihr da, Veit Pogner? POGNER Hier zur Hand. Er setzt sich KOTHNER Kunz Vogelgesang? VOGELGESANG Ein sich fand. Er setzt sich KOTHNER Hermann Ortel? ORTEL Immer am Ort. Er setzt sich KOTHNER Balthasar Zorn? ZORN Bleibt niemals fort. Er setzt sich KOTHNER Konrad Nachtigall? NACHTIGALL Treu seinem Schlag. Er setzt sich KOTHNER Augustin Moser? MOSER Nie fehlen mag. Er setzt sich KOTHNER Niklaus Vogel? - Schweigt? EIN LEHRBUBE von der Bank aufstehend Ist krank. KOTHNER Gut Bess rung dem Meister! DIE MEISTER ausser Kothner Walt s Gott! DER LEHRBUBE Schön Dank! Er setzt sich wieder nieder KOTHNER Hans Sachs? DAVID vorlaut sich erhebend und auf Sachs zeigend Da steht er! SACHS drohend zu David Juckt dich das Fell? Verzeiht, Meister! Sachs ist zur Stell . Er setzt sich KOTHNER Sixtus Beckmesser? BECKMESSER Immer bei Sachs während er sich setzt dass den Reim ich lern von »blüh und wachs«. Sachs lacht KOTHNER Ulrich Eisslinger? EISSLINGER Hier. Er setzt sich KOTHNER Hans Foltz? FOLTZ Bin da. Er setzt sich KOTHNER Hans Schwarz? SCHWARZ Zuletzt Gott wollt s! Setzt sich KOTHNER Zur Sitzung gut und voll die Zahl. Beliebt s, wir schreiten zur Merkerwahl? VOGELGESANG Wohl eh r nach dem Fest. BECKMESSER Pressiert s dem Herrn? Mein Stell und Amt lass ich ihm gern. POGNER Nicht doch, Ihr Meister! Lasst das jetzt fort. Für wichtigen Antrag bitt ich ums Wort. Alle Meister stehen auf, nicken Kothner zu und setzen sich wieder KOTHNER Das habt Ihr, Meister, sprecht! POGNER Nun hört und versteht mich recht! - Das schöne Fest, Johannistag, Ihr wisst, begeh n wir morgen. Auf grüner Au , am Blumenhang, bei Spiel und Tanz im Lustgelag, an froher Brust geborgen, vergessen seiner Sorgen, ein jeder freut sich, wie er mag. Die Singschul ernst im Kirchenchor die Meister selbst vertauschen; mit Kling und Klang hinaus zum Tor auf offne Wiese ziehn sie vor bei hellen Festes Rauschen; das Volk sie lassen lauschen dem Freigesang mit Laienohr. Zu einem Werb- und Wettgesang gestellt sind Siegespreise, und beide preist man weit und lang, die Gabe wie die Weise. Nun schuf mich Gott zum reichen Mann; und gibt ein jeder, wie er kann, so musste ich wohl sinnen, was ich gäb zu gewinnen, dass ich nicht käm zu Schand so hört denn, was ich fand. In deutschen Landen viel gereist, hat oft es mich verdrossen, dass man den Bürger wenig preist, ihn karg nennt und verschlossen. An Höfen wie an nied rer Statt des bitt ren Tadels ward ich satt, dass nur auf Schacher und Geld sein Merk der Bürger stellt. Dass wir im weiten deutschen Reich die Kunst einzig noch pflegen, dran dünkt ihnen wenig gelegen. Doch wie uns das zur Ehre gereich , und dass mit hohem Mut wir schätzen, was schön und gut, was wert die Kunst und was sie gilt, das ward ich der Welt zu zeigen gewillt. Drum hört, Meister, die Gab , die als Preis bestimmt ich hab. Dem Sieger, der im Kunstgesang vor allem Volk den Preis errang am Sankt-Johannis-Tag, sei er, wer er auch mag, dem geh ich, ein Kunstgewogner, von Nürnberg Veit Pogner, mit all meinem Gut, wie s geh und steh , Eva, mein einzig Kind, zur Eh . DIE MEISTER sich erhebend und sehr lebhaft durcheinander Das heisst ein Wort! Ein Mann! Da sieht man, was ein Nürnberger kann! Drob preist man Euch noch weit und breit, den wack ren Bürger Pogner Veit! Die LEHRBUBEN lustig aufspringend Alle Zeit, weit und breit Pogner Veit! Pogner Veit! VOGELGESANG Wer möchte da nicht ledig sein? SACHS Sein Weib gäb mancher gern wohl drein! KOTHNER Auf, ledig Mann! Jetzt macht euch ran! POGNER Nun hört noch, wie ich s ernstlich mein ! Die Meister setzen sich allmählich wieder nieder, die Lehrbuben ebenfalls Ein leblos Gabe geh ich nicht ein Mägdlein sitzt mit zu Gericht. Den Preis erkennt die Meisterzunft; doch gilt s der Eh , so will s Vernunft, dass ob der Meister Rat die Braut den Ausschlag hat. BECKMESSER zu Kothner gewandt Dünkt Euch das klug? KOTHNER laut Versteh ich gut, Ihr gebt uns in des Mägdleins Hut? BECKMESSER Gefährlich das! KOTHNER Stimmt es nicht bei, wie wäre dann der Meister Urteil frei? BECKMESSER Lasst s gleich wählen nach Herzensziel und lasst den Meistergesang aus dem Spiel! POGNER Nicht so! Wie doch? Versteht mich recht! Wem Ihr Meister den Preis zusprecht, die Maid kann dem verwehren, doch nie einen andren begehren. Ein Meistersinger muss er sein nur wen Ihr krönt, den soll sie frei n. SACHS erhebt sich Verzeiht! Vielleicht schon ginget Ihr zu weit. Ein Mädchenherz und Meisterkunst erglüh n nicht stets in gleicher Brunst; der Frauen Sinn, gar unbelehrt, dünkt mich dem Sinn des Volks gleich wert. Wollt Ihr nun vor dem Volke zeigen, wie hoch die Kunst Ihr ehrt, und lasst Ihr dem Kind die Wahl zu eigen, wollt nicht, dass dem Spruch es wehrt so lasst das Volk auch Richter sein; mit dem Kinde sicher stimmt s überein. VOGELGESANG, NACHTIGAL Oho! ALLE MEISTER ausser Sachs und Pogner Das Volk? Ja, das wäre schön! Ade dann Kunst und Meistertön ! KOTHNER Nein, Sachs! Gewiss, das hat keinen Sinn, gäbt Ihr dem Volk die Regeln hin? SACHS Vernehmt mich recht! Wie Ihr doch tut! Gesteht, ich kenn die Regeln gut; und dass die Zunft die Regeln bewahr , bemüh ich mich selbst schon manches Jahr. Doch einmal im Jahre fänd ich s weise, dass man die Regeln selbst probier , ob in der Gewohnheit trägem Gleise ihr Kraft und Leben nicht sich verlier und ob Ihr der Natur noch seid auf rechter Spur, das sagt Euch nur, wer nichts weiss von der Tabulatur. Die Lehrbuben springen auf und reiben sich die Hände BECKMESSER Hei! Wie sich die Buben freuen! SACHS eifrig fortfahrend Drum möcht es Euch nie gereuen, dass jährlich am Sankt-Johannis-Fest, statt dass das Volk man kommen lässt, herab aus hoher Meister Wolk Ihr selbst Euch wendet zu dem Volk. Dem Volke wollt Ihr behagen; nun dächt ich, läg es nah, Ihr liesst es selbst Euch auch sagen, ob das ihm zur Lust geschah. Dass Volk und Kunst gleich blüh und wachs , bestellt Ihr so, mein ich, Hans Sachs. VOGELGESANG Ihr meint s wohl recht! KOTHNER Doch steht s drum faul. NACHTIGALL Wenn spricht das Volk, halt ich das Maul. KOTHNER Der Kunst droht allweil Fall und Schmach, läuft sie der Gunst des Volkes nach. BECKMESSER Drin bracht er s weit, der hier so dreist Gassenhauer dichtet er meist. POGNER Freund Sachs, was ich mein , ist schon neu zuviel auf einmal brächte Reu ! Er wendet sich zu den Meistern. So frag ich, ob den Meistern gefällt Gab und Regel, so wie ich s gestellt? Die Meister erheben sich beistimmend. SACHS Mir genügt der Jungfer Ausschlagstimm . BECKMESSER Der Schuster weckt doch stets mir Grimm! KOTHNER Wer schreibt sich als Werber ein? Ein Junggesell muss es sein. BECKMESSER Vielleicht auch ein Witwer? Fragt nur den Sachs! SACHS Nicht doch, Herr Merker! Aus jüng rem Wachs als ich und Ihr muss der Freier sein, soll Evchen ihm den Preis verleih n. BECKMESSER Als wie auch ich? Grober Gesell! KOTHNER Begehrt wer Freiung, der komm zur Stell ! Ist jemand gemeld t, der Freiung begehrt? POGNER Wohl, Meister! Zur Tagesordnung kehrt! Und nehmt von mir Bericht, wie ich auf Meisterpflicht einen jungen Ritter empfehle, der will, dass man ihn wähle und heut als Meistersinger frei . - Mein Junker Stolzing, kommt herbei! Walther tritt hervor und verneigt sich BECKMESSER bei Seite Dacht ich mir s doch! Geht s da hinaus, Veit? Laut Meister, ich mein , zu spät ist s der Zeit. SCHWARZ und FOLTZ Der Fall Soll man sich freu n? DIE ÜBRIGEN MEISTER Ein Ritter gar? VOGELGESANG, MOSER, EISSLINGER Soll man sich freu n? ZORN, KOTHNER, NACHTIGALL, ORTEL Wäre da Gefahr? VOGELGESANG Oder wär Gefahr? ALLE MEISTER Immerhin hat s ein gross Gewicht, dass Meister Pogner für ihn spricht. KOTHNER Soll uns der Junker willkommen sein, zuvor muss er wohl vernommen sein. POGNER Vernehmt ihn wohl! Wünsch ich ihm Glück, nicht bleib ich doch hinter der Regel zurück. Tut,Meister, die Fragen! KOTHNER So mög uns der Junker sagen ist er frei und ehrlich geboren? POGNER Die Frage gebt verloren, da ich Euch selbst des Bürge steh , dass er aus frei und edler Eh von Stolzing Walther aus Frankenland, nach Brief und Urkund mir wohlbekannt. Als seines Stammes letzter Spross verliess er neulich Hof und Schloss und zog nach Nürnberg her, dass er hier Bürger wär . BECKMESSER Neu Junker-Unkraut! Tut nicht gut! NACHTIGALL Freund Pogners Wort Genüge tut. SACHS Wie längst von den Meistern beschlossen ist, ob Herr, ob Bauer, hier nichts beschiesst hier fragt sich s nach der Kunst allein, wer will ein Meistersinger sein. KOTHNER Drum nun frag ich zur Stell welch Meisters seid Ihr Gesell ? WALTHER Am stillen Herd in Winterszeit, wann Burg und Hof mir eingeschneit, wie einst der Lenz so lieblich lacht und wie er bald wohl neu erwacht, ein altes Buch, vom Ahn vermacht, gab das mir oft zu lesen Herr Walther von der Vogelweid , der ist mein Meister gewesen. SACHS Ein guter Meister! BECKMESSER Doch lang schon tot; wie lehrt ihn der wohl der Regeln Gebot? KOTHNER Doch in welcher Schul das Singen mocht Euch zu lernen gelingen? WALTHER Wann dann die Flur vom Frost befreit und wiederkehrt die Sommerszeit, was einst in langer Winternacht das alte Buch mir kundgemacht, das schallte laut in Waldespracht, das hört ich hell erklingen im Wald dort auf der Vogelweid , da lernt ich auch das Singen. BECKMESSER Oho! Von Finken und Meisen lerntet Ihr Meisterweisen? Das wird dann wohl auch darnach sein! VOGELGESANG Zwei art ge Stollen fasst er da ein. BECKMESSER Ihr lobt ihn, Meister Vogelgesang, wohl weil vom Vogel er lernt den Gesang? KOTHNER Was meint Ihr, Meister? Frag ich noch fort? Mich dünkt, der Junker ist fehl am Ort. SACHS Das wird sich bäldlich zeigen. Wenn rechte Kunst ihm eigen und gut er sie bewährt, was gilt s, wer sie ihn gelehrt? KOTHNER zu Walther Seid Ihr bereit, ob Euch geriet mit neuer Find ein Meisterlied, nach Dicht und Weis Eu r eigen, zur Stunde jetzt zu zeigen? WALTHER Was Winternacht, was Waldespracht, was Buch und Hain mich wiesen; was Dichtersanges Wundermacht mir heimlich wollt erschliessen; was Rosses Schritt beim Waffenritt, was Reihentanz bei heit rem Schanz mir sinnend gab zu lauschen gilt es des Lebens höchsten Preis, um Sang mir einzutauschen, zu eignem Wort und eigner Weis will einig mir es fliessen, als Meistersang, ob den ich weiss, Euch Meistern sich ergiessen. BECKMESSER Entnahmt Ihr was der Worte Schwall? VOGELGESANG Ei nun, er wagt s! NACHTIGALL Merkwürd ger Fall! KOTHNER Nun, Meister, wenn s gefällt, werd das Gemerk bestellt. - zu Walther Wählt der Herr einen heiligen Stoff? WALTHER Was heilig mir, der Liebe Panier schwing und sing ich mir zu Hoff . KOTHNER Das gilt uns weltlich. Drum allein, Meister Beckmesser, schliesst Euch ein! BECKMESSER erhebt sich und schreitet wie widerwillig dem Gemerke zu Ein sau res Amt, und heut zumal! Wohl gibt s mit der Kreide manche Qual. Er verneigt sich gegen Walther. Herr Ritter, wisst Sixtus Beckmesser Merker ist. Hier im Gemerk verrichtet er still sein strenges Werk. Sieben Fehler gibt er Euch vor, die merkt er mit Kreide dort an wenn er über sieben Fehler verlor, dann versang der Herr Rittersmann. Er setzt sich im Gemerk Gar fein er hört; doch dass er Euch den Mut nicht stört, säht Ihr ihm zu, so gibt er Euch Ruh und schliesst sich gar hier ein - lässt Gott Euch befohlen sein. Er streckt den Kopf höhnisch freundlich nickend heraus und verschwindet hinter dem zugezogenen Vorhange des Gemerks gänzlich KOTHNER winkt den Lehrbuben. Zu Walther Was Euch zum Liede Richt und Schnur, vernehmt nun aus der Tabulatur. Zwei Lehrbuben haben die an der Wand aufgehängte Tafel der »Leges Tabulaturae« herabgenommen und halten sie Kothner vor; dieser liest daraus »Ein jedes Meistergesanges Bar stell ordentlich ein Gemässe dar aus unterschiedlichen Gesätzen, die keiner soll verletzen. Ein Gesätz besteht aus zweenen Stollen, die gleiche Melodei haben sollen; der Stoll aus etlicher Vers Gebänd , der Vers hat seinen Reim am End . Darauf erfolgt der Abgesang, der sei auch etlich Verse lang und hab sein besond re Melodei, als nicht im Stollen zu finden sei. Derlei Gemässes mehre Baren soll ein jed Meisterlied bewahren; und wer ein neues Lied gericht t, das über vier der Silben nicht eingreift in andrer Meister Weis , dess Lied erwerb sich Meisterpreis.« - Er gibt die Tafel den Lehrbuben zurück; diese hängen sie wieder auf Nun setzt Euch in den Singestuhl! WALTHER mit einem Schauer Hier - in den Stuhl? KOTHNER Wie s Brauch der Schul . WALTHER besteigt den Stuhl und setzt sich mit Widerstreben. Beiseite Für dich, Geliebte, sei s getan! KOTHNER sehr laut Der Sänger sitzt. BECKMESSER unsichtbar im Gemerk, sehr grell Fanget an! WALTHER Fanget an! So rief der Lenz in den Wald, dass laut es ihn durchhallt; und wie in fern ren Wellen der Hall von dannen flieht, von weither naht ein Schwellen, das mächtig näher zieht; es schwillt und schallt, es tönt der Wald von holder Stimmen Gemenge; nun laut und hell schon nah zur Stell , wie wächst der Schwall! Wie Glockenhall ertost des Jubels Gedränge! Der Wald, wie bald antwortet er dem Ruf, der neu ihm Leben schuf, stimmte an das süsse Lenzeslied! - Man hört aus dem Gemerk unmutige Seufzer des Merkers und heftiges Anstreichen mit der Kreide. Auch Walther hat es gehört; nach kurzer Störung fährt er fort In einer Dornenhecken, von Neid und Gram verzehrt, musst er sich da verstecken, der Winter, grimm-bewehrt. Von dürrem Laub umrauscht er lauert da und lauscht, wie er das frohe Singen zu Schaden könnte bringen. - Er steht vom Stuhle auf Doch fanget an! So rief es mir in der Brust, als noch ich von Liebe nicht wusst . Da fühlt ich s tief sich regen, als weckt es mich aus dem Traum; mein Herz mit bebenden Schlägen erfüllte des Busens Raum das Blut, es wallt mit Allgewalt, geschwellt von neuem Gefühle; aus warmer Nacht mit Übermacht schwillt mir zum Meer der Seufzer Heer im wilden Wonnegewühle. Die Brust wie bald antwortet sie dem Ruf, der neu ihr Leben schuf; stimmt nun an das hehre Liebeslied! BECKMESSER den Vorhang aufreissend Seid Ihr nun fertig? WALTHER Wie fraget Ihr? BECKMESSER Mit der Tafel ward ich fertig schier. Er hält die ganz mit Kreidestrichen bedeckte Tafel heraus; die Meister brechen in ein Gelächter aus WALTHER Hört doch! Zu meiner Frauen Preis gelang ich jetzt erst mit der Weis . BECKMESSER das Gemerk verlassend Singt, wo Ihr wollt! Hier habt Ihr vertan. Ihr Meister, schaut die Tafel Euch an so lang ich leb , ward s nicht erhört; ich glaubt s nicht, wenn Ihr s all auch schwört! WALTHER Erlaubt Ihr s, Meister, dass er mich stört? Blieb ich von allen ungehört? POGNER Ein Wort, Herr Merker! Ihr seid gereizt! BECKMESSER Sei Merker fortan, wer danach geizt! Doch dass der Junker hier versungen hat, beleg ich erst noch vor der Meister Rat. Zwar wird s ne harte Arbeit sein wo beginnen, da wo nicht aus noch ein? Von falscher Zahl und falschem Gebänd schweig ich schon ganz und gar; zu kurz, zu lang, wer ein End da fänd ! Wer meint hier im Ernst einen Bar? Auf »blinde Meinung« klag ich allein sagt, konnt ein Sinn unsinniger sein? DIE MEISTER ohne Sachs und Pogner Man ward nicht klug! Ich muss gestehn. Ein Ende konnte keiner erseh n. BECKMESSER Und dann die Weis ! Welch tolles Gekreis aus »Abenteuer«-, »blau Rittersporn«-Weis , »hoch Tannen«- und »stolz Jüngling«-Ton! KOTHNER Ja, ich verstand gar nichts davon! BECKMESSER Kein Absatz wo, kein Koloratur, von Melodei auch nicht eine Spur! ORTEL, dann FOLTZ Wer nennt das Gesang? MOSER Es ward einem bang ! NACHTIGALL Ja, s ward einem bang! VOGELGESANG Eitel Ohrgeschinder! ZORN Auch gar nichts dahinter! KOTHNER Und gar vom Singstuhl ist er gesprungen! BECKMESSER Wird erst auf die Fehlerprobe gedrungen? Oder gleich erklärt, dass er versungen? SACHS der vom Beginne an Walther mit wachsendem Ernst zugehört hat, schreitet vor Halt Meister! Nicht so geeilt! Nicht jeder Eure Meinung teilt. Des Ritters Lied und Weise, sie fand ich neu, doch nicht verwirrt; verliess er unsre Gleise, schritt er doch fest und unbeirrt. Wollt Ihr nach Regeln messen, was nicht nach Eurer Regeln Lauf, der eig nen Spur vergessen, sucht davon erst die Regeln auf! BECKMESSER Aha, schon recht! Nun hört Ihr s doch den Stümpern öffnet Sachs ein Loch, da aus und ein nach Belieben ihr Wesen leicht sie trieben. Singet dem Volk auf Markt und Gassen; hier wird nach den Regeln nur eingelassen! SACHS Herr Merker, was doch solch ein Eifer? Was doch so wenig Ruh ? Eu r Urteil, dünkt mich, wäre reifer, hörtet Ihr besser zu. Darum, so komm ich jetzt zum Schluss, dass den Junker man zu End hören muss. BECKMESSER Der Meister Zunft, die ganze Schul , gegen den Sachs da sind wir Null. SACHS Verhüt es Gott, was ich begehr , dass das nicht nach den Gesetzen wär ! Doch da nun steht geschrieben »Der Merker werde so bestellt, dass weder Hass noch Lieben das Urteil trübe, das er fällt« - Geht der nun gar auf Freiersfüssen, wie sollt er da die Lust nicht büssen, den Nebenbuhler auf dem Stuhl zu schmähen vor der ganzen Schul ? Walther flammt auf. NACHTIGALL Ihr geht zu weit! KOTHNER Persönlichkeit! POGNER Vermeidet, Meister, Zwist und Streit! BECKMESSER Ei, was kümmert doch Meister Sachsen, auf was für Füssen ich geh? Liess er doch lieber Sorge sich wachsen, dass mir nichts drück die Zeh ! Doch seit mein Schuster ein grosser Poet, gar übel es um mein Schuhwerk steht. Da seht, wie s schlappt und überall klappt! All seine Vers und Reim liess ich ihm gern daheim, Historien, Spiel und Schwänke dazu, brächt er mir morgen die neuen Schuh ! SACHS kratzt sich hinter den Ohren Ihr mahnt mich da gar recht doch schickt sich s, Meister, sprecht, dass, find ich selbst dem Eseltreiber ein Sprüchlein auf die Sohl , dem hochgelahrten Herrn Stadtschreiber ich nichts drauf schreiben soll? Das Sprüchlein, das Eu r würdig sei, mit all meiner armen Poeterei fand ich noch nicht zur Stund ; doch wird s wohl jetzt mir kund, wenn ich des Ritters Lied gehört drum sing er nun weiter ungestört! Walther steigt in grosser Aufregung auf den Singstuhl und blickt stehend herab BECKMESSER Nicht weiter! Zum Schluss! ORTEL, MOSER, VOGELGESANG, NACHTIGALL nacheinander Genug! ZORN, EISSLINGER Zum Schluss! KOTHNER Genug! Zum Schluss. SACHS zu Walther Singt dem Herrn Merker zum Verdruss! BECKMESSER Was sollte man da noch hören? Wär s nicht Euch zu betören? Er holt aus dem Gemerk die Tafel herbei und hält sie während des Folgenden, von einem zum andern sich wendend, zur Prüfung den Meistern vor WALTHER Aus finst rer Dornenhecken die Eule rauscht hervor, tät rings mit Kreischen wecken der Raben heis ren Chor BECKMESSER Jeden Fehler gross und klein seht genau auf der Tafel ein. DIE MEISTER ohne Sachs und Pogner Jawohl, so ist s! WALTHER in nächt gem Heer zu Hauf wie krächzen all da auf mit ihren Stimmen, den hohlen, die Elstern, Kräh n und Dohlen! BECKMESSER »Falsch Gebänd«, »unredbare Worte«, »Klebsilben«, hier »Laster« gar; DIE MEISTER ohne Sachs und Pogner Ich seh es recht! Mit dem Herrn Ritter steht es schlecht. Mag Sachs von ihm halten, was er will, hier in der Singschul schweig er still! SACHS beobachtet Walther entzückt Ha, welch ein Mut! Begeisterungsglut! - WALTHER Auf da steigt mit gold nem Flügelpaar ein Vogel wunderbar sein strahlend hell Gefieder licht in den Lüften blinkt; BECKMESSER »Äquivoca«, »Reim am falschen Orte«, »verkehrt«, »verstellt« der ganze Bar; ein »Flickgesang« hier zwischen den Stollen; POGNER Jawohl, ich seh s, was mir nicht recht mit meinem Junker steht es schlecht! DIE MEISTER ohne Sachs und Pogner Bleibt einem jeden doch unbenommen, wen er sich zum Genossen begehrt! SACHS Ihr Meister, schweigt doch und hört! WALTHER schwebt selig hin und wider, zu Flug und Flucht mir winkt. Es schwillt das Herz vor süssem Schmerz, POGNER Weich ich hier der Übermacht, mir ahnet, dass mir s Sorge macht. DIE MEISTER ohne Sachs und Pogner Wär uns der erste best willkommen, was blieben die Meister dann wert? SACHS inständig Hört, wenn Sachs Euch beschwört! BECKMESSER »blinde Meinung« allüberall; SACHS Herr Merker da, gönnt doch nur Ruh ! BECKMESSER »unklare Wort «, »Differenz«, hier »Schrollen«, da »falscher Atem«, hier »Überfall«. WALTHER der Not entwachsen Flügel; es schwingt sich auf zum kühnen Lauf, aus der Städte Gruft zum Flug durch die Luft, dahin zum heimischen Hügel; SACHS Lasst and re hören, gebt das nur zu! Umsonst! All eitel Trachten! Kaum vernimmt man sein eig nes Wort! BECKMESSER Ganz unverständliche Melodei! Aus allen Tönen ein Mischgebräu! SACHS Des Junkers will keiner achten. Das nenn ich Mut, singt der noch fort! POGNER Wie gern säh ich ihn angenommen, WALTHER dahin zur grünen Vogelweid , wo Meister Walther einst mich freit ; da sing ich hell und hehr der liebsten Frauen Ehr ; DAVID und die LEHRBUBEN sind von der Bank aufgestanden und nähern sich dem Gemerk, um welches sie einen Ring schliessen und sich zum Reigen ordnen Glück auf zum Meistersingen, mögt Ihr Euch das Kränzlein erschwingen! Sie fassen sich an und tanzen im Ringe immer lustiger um das Gemerk BECKMESSER Scheutet Ihr nicht das Ungemach, Meister, zählt mir die Fehler nach! DIE MEISTER ohne Sachs und Pogner Hei wie sich der Ritter da quält! POGNER als Eidam wär er mir gar wert; SACHS Das Herz auf dem rechten Fleck ein wahrer Dichter-Reck ! WALTHER auf dann steigt, ob Meister-Kräh n ihm ungeneigt, das stolze Minnelied. - DAVID und die LEHRBUBEN Das Blumenkränzlein aus Seiden fein wird das dem Herrn Ritter beschieden sein? BECKMESSER Verloren hätt er schon mit dem acht doch so weit wie der hat s noch keiner gebracht! POGNER nenn ich den Sieger jetzt willkommen, wer weiss, ob ihn mein Kind erwählt? DIE MEISTER ohne Sachs und Pogner Der Sachs hat ihn sich erwählt! - lachend Hahaha! SACHS Mach ich, Hans Sachs, wohl Vers und Schuh , ist Ritter der und Poet dazu. DIE MEISTER ohne Sachs und Pogner s ist ärgerlich gar! Drum macht ein End ! BECKMESSER Wohl über fünfzig, schlecht gezählt! Sagt, ob Ihr Euch den zum Meister wählt? POGNER Gesteh ich s, dass mich das quält, ob Eva den Meister wählt! DIE MEISTER ohne Sachs und Pogner Auf, Meister, stimmt und erhebt die Händ ! Die Meister erheben die Hände WALTHER Ade, Ihr Meister, hienied ! BECKMESSER Nun, Meister, kündet s an! DIE MEISTER ohne Sachs und Pogner Versungen und vertan! Er verlässt mit einer stolzen verächtlichen Gebärde den Stuhl und wendet sich rasch zum Fortgehen. Alles geht in Aufregung auseinander; lustiger Tumult der Lehrbuben, welche sich des Gemerks, des Singstuhls und der Meisterbänke bemächtigen, wodurch Gedränge und Durcheinander der nach dem Ausgange sich wendenden Meister entsteht. Sachs, der allein im Vordergrunde geblieben, blickt noch gedankenvoll nach dem leeren Singestuhl, als die Lehrbuben auch diesen erfassen. Während Sachs mit humoristisch-unmutiger Gebärde sich abwendet, fällt der Vorhang All rights reserved © Maria Fujioka Wagner,Richard/Die Meistersinger von Nürnberg+/II-1
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Subjects-Science-General Asymmetric Transfer Hydrogenation of Aromatic Ketones (Comprehensive Summaries of Uppsala Dissertations from the Faculty Science and Technology, 730) Uppsala Universitet? Sofia Nordin? UppsalaUniversitet? SofiaNordin? Subjects-Science-Chemistry-Organic-General? Subjects-Science-General Comparative Genomics of Obligate Facultative Intracellular Parasites (Comprehensive Summaries of Uppsala Dissertations from the Faculty Science and Technology, 731) Uppsala Universitet? Cecilia Alsmark? UppsalaUniversitet? CeciliaAlsmark? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Hybrid Solvers for the Maxwell Equations in Time-Domain (Uppsala Dissertations from the Faculty of Science Technology, 40) Uppsala Universitet? Frederik Edelvik? UppsalaUniversitet? FrederikEdelvik? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? 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AnnetteHenning? undefined undefined On Mole Amount of Substance A Study of the Dynamics of Concept Formation Concept Attainment (Goteburg Studies in Education Science, No 106) Coronet Books Inc? Helge Stromdahl? CoronetBooksInc? HelgeStromdahl? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Secrets of Ancient Corn Measures Hidden and Forgotten Space Geometry (Antikvariskt Arkiv S.) Coronet Books Inc? Nils Sahlgren? CoronetBooksInc? NilsSahlgren? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Science-General Subjects-Science-Mathematics-Geometry&Topology-GeneralGeometry? Activities in Space -- Appropriation or Use (Skrifter Fran Juridiska Fakulteten I Uppsala, 75) Lustu Forlag? Katrin Nyman Metcalf? LustuForlag? KatrinNymanMetcalf? Subjects-Science-General Subjects-Science-Physics-Astrophysics? 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BOlsson? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-55? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Ecology-AquaticLife? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-Lakes&Ponds? Rock Stress and Rock Stress Measurement Ashgate Pub Co? Stephans? AshgatePubCo? Stephans? Substores-UnknownASINs-55? Subjects-Science-General Biosafety for Sustainable Agriculture Sharing Biotechnology Regulatory Experiences of the Western Hemisphere Intl Service for the Acquistion of? Anatole F. Krattiger? Arno Rosemarin? IntlServicefortheAcquistionof? 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Dosimetry in Radiotherapy/Isp760 1 Proceedings of an International Symposium on Dosimetry in Radiotherapy (Proceedings Series (International Atomic Energy Agency).) Unipub? International Symposium on Dosimetry in Radiotherapy? Unipub? InternationalSymposiumonDosimetryinRadiotherapy? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? Subjects-Engineering-Nuclear? Subjects-Medicine-General? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Science-General Subjects-Science-Medicine-General? Dosimetry in Radiotherapy/Isp760 2 Proceedings of an International Symposium on Dosimetry in Radiotherapy (Proceedings Series (International Atomic Energy Agency).) Unipub? International Symposium on Dosimetry in Radiotherapy? Unipub? InternationalSymposiumonDosimetryinRadiotherapy? ユーズドブック(洋書)-Engineering Subjects-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Science-General Nuclear and Related Techniques in Animal Production and Health Proceedings of an International Symposium. Jointly Organized by Iaea and Fao (Proceedings Series (International Atomic Energy Agency)) Intl Atomic Energy Agency? International Symposium on the Use of Nuclear Techniques in Studies of? IntlAtomicEnergyAgency? InternationalSymposiumontheUseofNuclearTechniquesinStudiesof? ユーズドブック(洋書)-Engineering Subjects-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-AnimalHusbandry-LivestockManagement? Subjects-Science-General Subjects-Science-AgriculturalSciences-AnimalHusbandry? Monitoring of Radioactive Effluents from Nuclear Facilities Proceedings of the International Symposium on the Monitoring of Radioactive Airborne and Liquid Releases from Nuclear Facilities (Proceedings Series) Unipub? International Symposium on the Monitoring of Radioactive Airborne and? 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Environmental Contamination Following a Major Nuclear Accident Proceedings of an International Symposium on Environmental Contamination Following A (Proceedings Series (International Atomic Energy Agency)) Intl Atomic Energy Agency? International Atomic Energy Agency? IntlAtomicEnergyAgency? InternationalAtomicEnergyAgency? ユーズドブック(洋書)-Engineering Subjects-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Science-General Subjects-Science-Physics-NuclearPhysics-Radioactivity? Advances in Radiation Protection Monitoring Proceedings of an International Symposium on Advances in Radiation Protection Monitoring Held by the International Atomic Energy Agency in Stockholm, (Proceedings Series) Unipub? Sweden) International Symposium on Advances in Radiation Protection Monitoring (1978 Stockholm? Unipub? Sweden)InternationalSymposiumonAdvancesinRadiationProtectionMonitoring(1978 Stockholm? Substores-UnknownASINs-55? 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Subjects-Engineering-Energy-Nuclear? Subjects-Health,Mind&Body-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Energy-Nuclear? Subjects-Science-General Subjects-Science-Technology-General&Reference Applications of the Mossbauer Effect in Chemistry and Solid State Physics (Technical Reports Ser.; No. 50) Unipub? Unipub? Substores-UnknownASINs-55? Subjects-Science-General Ciamda 87 An Index to Literature on Atomic and Molecular Collision Data Relevant to Fusion Research/Isp752 Intl Atomic Energy Agency? International Atomic Energy Agency? IntlAtomicEnergyAgency? InternationalAtomicEnergyAgency? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-General Subjects-Science-Physics-MolecularPhysics? Subjects-Science-Physics-NuclearPhysics-Fusion&Fission? Subjects-Science-Technology-General&Reference Cinda-A, 1935-1987 1 Hydrogen to 30 Zinc Intl Atomic Energy Agency? IntlAtomicEnergyAgency? Substores-UnknownASINs-55? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Physics-NuclearPhysics-General? Cinda-A, 1935-1987 31 Gallium to 54 Xenon Intl Atomic Energy Agency? IntlAtomicEnergyAgency? Substores-UnknownASINs-55? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Physics-NuclearPhysics-General? Cinda-A, 1935-1987 55 Cesium to 83 Bismuth Intl Atomic Energy Agency? IntlAtomicEnergyAgency? Substores-UnknownASINs-55? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-General 洋書
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Tropospheric Transport of Pollutants and Other Substances to the Oceans Nat. Academy of Sciences, US? Joseph M Prospero? Nat.AcademyofSciences,US? JosephMProspero? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Nature&Ecology-Oceans&Seas-Oceanography-General? Chloroform Carbon Tetrachloride and Other Halomehtanes and Environment Natl Academy Pr? National Research Council Environmental Studies? NatlAcademyPr? NationalResearchCouncilEnvironmentalStudies? ジャンル別? Substores-UnknownASINs-7? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Nitrates An Environmental Assessment A Report Natl Academy Pr? National Research Council. Panel on Nitrates.? NatlAcademyPr? NationalResearchCouncil.PanelonNitrates.? ジャンル別? Substores-UnknownASINs-7? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Snow Removal and Ice Control Research Proceedings of the Second International Symposium, Held May 15-16, 1978, at Hanover, New Hampshire, and Sponsored by the Transportation Research (Special Report Series, No 185) Transportation Research Board? Hanover, N. H., 1978 International Symposium on Snow Removal and Ice Control Research? TransportationResearchBoard? Hanover,N.H.,1978InternationalSymposiumonSnowRemovalandIceControlResearch? ジャンル別? Substores-UnknownASINs-7? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Memorial Tributes National Academy Press? National Academy of Engineering? 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Subjects-Professional&Technical-Engineering-General Atmosphere-Biosphere Interactions Toward a Better Understanding of the Ecological Consequences of Fossil Fuel Combustion. by the Comm on Atmosphere Natl Academy Pr? National Research Council. Committee on the Atmosphere and the Biosphe? NatlAcademyPr? NationalResearchCouncil.CommitteeontheAtmosphereandtheBiosphe? ジャンル別? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Engineering-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences? 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Subjects-Professional&Technical-Engineering-General Quality Criteria for Water Reuse Natl Academy Pr? National Research Council (U. S.)? NatlAcademyPr? NationalResearchCouncil(U.S.)? ジャンル別? Substores-UnknownASINs-7? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General An Assessment of Research-Doctorate Programs in the United States Engineering Natl Academy Pr? Lyle V. Jones? NatlAcademyPr? LyleV.Jones? ジャンル別? Substores-UnknownASINs-7? Subjects-Engineering-Education? Subjects-Engineering-General? Subjects-Nonfiction-Education? 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Applications of Computational Mechanics in Geotechnical Engineering Proceedings of the 3rd International Workshop on Applications of Computational Mechanics in Geotechnical Engineering Porto/Portugal/2-4 September 1998 Aa Balkema? M. Matos Fernandes? L. Ribeiro E Sousa? R. F. Azevedo? E. A. Vargas? AaBalkema? M.MatosFernandes? L.RibeiroESousa? R.F.Azevedo? E.A.Vargas? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet? Subjects-Engineering-Civil-Structural? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Cartography? Subjects-Science-EarthSciences-Cartography? 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Subjects-Science-General Subjects-Science-Nature&Ecology-Environment? Subjects-Science-Technology-General&Reference Stochastic Hydraulics 2000 Proceedings of the Eighth International Symposium on Stochastic Hydraulics, Beijing, China, 25-28 July 2000 Aa Balkema? Zhao-Yin Wang? Shi-Xiong Hu? AaBalkema? Zhao-YinWang? Shi-XiongHu? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Engineering-Civil-Environmental-Hydraulics? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydraulics? Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-General Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-General 洋書
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Subjects-Science-Technology-General&Reference Design and Manufacturing of Composites Proceedings of the Joint Canada-Japan Workshop on Composites, August 1996, Kyoto, Japan Technomic Pub Co? Japan) Joint Canada-Japan Workshop on Composites (1996 Kyoto? S. V. Hoa? H. Hamada? TechnomicPubCo? Japan)JointCanada-JapanWorkshoponComposites(1996Kyoto? S.V.Hoa? H.Hamada? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? 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Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Case Studies for School Leaders Implementing the Isllc Standards Scarecrow Pr? William L. Sharp? James K. Walter? Helen M. Sharp? ScarecrowPr? WilliamL.Sharp? JamesK.Walter? HelenM.Sharp? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-Reference-Education? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-EducationTheory-Leadership? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-Theory-Leadership? Subjects-Professional&Technical-Education-Administration-General? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Reference-Careers-Entrepreneurship? 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Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-SpecialTopics-Biotechnology? High-Impact Teaching Overcoming Student Apathy Scarecrow Pr? Keen J. Babbage? ScarecrowPr? KeenJ.Babbage? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-Reference-Education? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-EducationalPsychology? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-EducationalPsychology? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Science-Technology-General&Reference 60 Years of Polyurethanes Edited by Jiri E. Kresta, Eleanore W. Eldred Technomic Pub Co? University of Detroit Mercy Polymer Institute? Jiri E. Kresta? 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